What happened to Los Canasteros, Manolo Caracol’s tablao

What happened to Los Canasteros, Manolo Caracol’s tablao

Share On Facebook Share On X Share On Whatsapp Share On Telegram Share Via Email Copy URL Manolo Caracol opened Los Canasteros in 1963 to safeguard true flamenco. “No mixed artists”, would say this Sevillian singer. Today there is nothing left of what was...
The dancer Rafaela Carrasco, National Dance Award

The dancer Rafaela Carrasco, National Dance Award

Share On Facebook Share On X Share On Whatsapp Share On Telegram Share Via Email Copy URL We already knew that it is among the best and, from today, it has that official title. Rafaela Carrasco has received the National Dance Award 2023 from the Ministry of Culture...
40 years without Antonio Mairena (Part 1)

40 years without Antonio Mairena (Part 1)

Share On Facebook Share On X Share On Whatsapp Share On Telegram Share Via Email Copy URL First part of the biography of Antonio Mairena as a tribute to his figure 40 years after his death. He was a great cante and a crucial researcher of pure flamenco, of forms and...
Jesse Cook: figurehead – or not? of new flamenco

Jesse Cook: figurehead – or not? of new flamenco

Share On Facebook Share On X Share On Whatsapp Share On Telegram Share Via Email Copy URL French-Canadian Jesse Cook is touring North America with overwhelming success. Known internationally for representing the new flamenco, he himself assures that in Spain he would...
Paco de Lucía: The Montreux Years (2023)

Paco de Lucía: The Montreux Years (2023)

Share On Facebook Share On X Share On Whatsapp Share On Telegram Share Via Email Copy URL Remastered edition (June 2023) of the eight performances (eight) that Paco de Lucía gave at the Montreux Jazz Festival (Switzerland) between 1984 and 2012. Classic songs and some...
Bulería: the most joyful flamenco palo

Bulería: the most joyful flamenco palo

Share On Facebook Share On X Share On Whatsapp Share On Telegram Share Via Email Copy URL The bulería has not always been a flamenco palo (form) well regarded for its party character, but with Paco de Lucía’s Entre dos aguas, it took on a brutal relevance....