{"id":401731,"date":"2023-10-16T07:12:18","date_gmt":"2023-10-16T05:12:18","guid":{"rendered":"https:\/\/allflamenco.net\/bambino-girl-of-the-swing\/"},"modified":"2023-10-16T08:48:29","modified_gmt":"2023-10-16T08:48:29","slug":"bambino-girl-of-the-swing","status":"publish","type":"post","link":"https:\/\/allflamenco.net\/en\/blog\/bambino-girl-of-the-swing\/","title":{"rendered":"Bambino, the Girl on the Swing… and other forgotten flamenco"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”Social Sharing Buttons ” _builder_version=”4.21.0″ custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|10px|0px|false|true” global_colors_info=”{}”][et_pb_row _builder_version=”4.21.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”1280px” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][dssb_sharing_buttons icon_placement=”icon” columns=”6″ icon_width=”fixed” alignment=”left” icon_color=”#111111″ use_custom_icon_size=”on” icon_font_size=”16px” icon_bg=”#f4f4f4″ _builder_version=”4.21.0″ _module_preset=”default” border_radii_main=”on|4px|4px|4px|4px” border_radii_icon=”on|4px|4px|4px|4px” border_width_all_icon=”1px” border_color_all_icon=”#f4f4f4″ border_color_all_icon_last_edited=”off|desktop” global_colors_info=”{}” border_color_all_icon__hover_enabled=”on|hover” border_color_all_icon__hover=”#111111″][dssb_sharing_button _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”twitter” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”whatsapp” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”telegram” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”email” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”copy” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][\/dssb_sharing_buttons][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ use_custom_gutter=”on” gutter_width=”2″ padding_1_tablet=”0px||” padding_1_last_edited=”off|desktop” admin_label=”Quote” _builder_version=”4.21.0″ background_color=”RGBA(255,255,255,0)” background_size=”contain” background_position=”top_center” custom_padding=”0|0px|0px|0px|false|false” global_colors_info=”{}” use_background_color_gradient__hover=”off” use_background_color_gradient__hover_enabled=”off” background_color_gradient_type__hover=”linear” background_color_gradient_type__hover_enabled=”linear” background_color_gradient_direction__hover=”180deg” background_color_gradient_direction__hover_enabled=”180deg” background_color_gradient_direction_radial__hover=”center” background_color_gradient_direction_radial__hover_enabled=”center” background_color_gradient_stops__hover=”#2b87da 0%|#29c4a9 100%” background_color_gradient_overlays_image__hover=”off” background_color_gradient_overlays_image__hover_enabled=”off” background_color_gradient_start__hover=”#2b87da” background_color_gradient_start__hover_enabled=”#2b87da” background_color_gradient_start_position__hover=”0%” background_color_gradient_start_position__hover_enabled=”0%” background_color_gradient_end__hover=”#29c4a9″ background_color_gradient_end__hover_enabled=”#29c4a9″ background_color_gradient_end_position__hover=”100%” background_color_gradient_end_position__hover_enabled=”100%” parallax__hover=”off” parallax__hover_enabled=”off” parallax_method__hover=”on” parallax_method__hover_enabled=”on” background_size__hover=”cover” background_size__hover_enabled=”cover” background_position__hover=”center” background_position__hover_enabled=”center” background_repeat__hover=”no-repeat” background_repeat__hover_enabled=”no-repeat” background_blend__hover=”normal” background_blend__hover_enabled=”normal” allow_player_pause__hover=”off” allow_player_pause__hover_enabled=”off” background_video_pause_outside_viewport__hover=”on” background_video_pause_outside_viewport__hover_enabled=”on”][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”25px” text_line_height=”35em” header_2_font=”Domine|700|||||||” header_2_text_color=”#000000″ background_layout=”dark” global_colors_info=”{}” text_letter_spacing__hover=”0px” text_letter_spacing__hover_enabled=”0px” text_text_shadow_color__hover=”rgba(0,0,0,0.4)” text_text_shadow_color__hover_enabled=”rgba(0,0,0,0.4)”]<\/p>\n

He was a star of the Catalan rumba. Bambino is the protagonist of a new RTVE<\/em> series and, with him and his fateful fate, we look back at those forgotten flamenco artists who did a lot but got very little. <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” _builder_version=”4.22.1″ _dynamic_attributes=”src” _module_preset=”default” enable_caption_text=”on” image_caption_font=”Domine||||||||” image_caption_color=”#000000″ image_caption_size=”12px” image_caption_lineheight=”1.5em” image_caption_alignment=”left” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]Bambino is all the rage today, in the middle of 2023. Who knew! He lived fast and died young after leaving his mark on the world of flamenco rumba. In 2021, a documentary directed by Paco Ortiz (“Algo Salvaje”) rescued his figure; Today, it’s public television. But he wasn’t so lucky in life…<\/span><\/p>\n

We talk about him, and other forgotten flamingos despite their relevance, in this post.[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Header” _builder_version=”4.19.5″ _module_preset=”default” background_color=”gcid-74fc9072-2cad-4f61-ba48-82b911082b3f” background_image=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/10\/pie-shop-2b.png” background_size=”custom” background_image_width=”32%” background_position=”top_right” background_horizontal_offset=”8%” background_vertical_offset=”20px” overflow-x=”hidden” overflow-y=”hidden” custom_padding=”||5vw||false|false” background_last_edited=”on|phone” background_position_tablet=”bottom_right” collapsed=”on” global_colors_info=”{%22gcid-74fc9072-2cad-4f61-ba48-82b911082b3f%22:%91%22background_color%22%93}”][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” custom_padding_last_edited=”on|desktop” _builder_version=”4.22.1″ _module_preset=”default” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|tablet” max_width=”none” custom_padding=”40px|40px|40px|40px|true|true” custom_padding_tablet=”30px|30px|30px|30px|true|true” custom_padding_phone=”20px|20px|20px|20px|true|true” border_width_all=”6px” border_color_all=”#000000″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.19.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine|700|||||||” header_2_text_color=”#000000″ custom_margin=”1%||||false|false” global_colors_info=”{}”]<\/p>\n

Bambino: King of Rumba-Pop<\/h2>\n

This Utrera-born Miguel Vargas hit the nail on the head when, in 1961, he covered a song called “Bambino Picolino” by Renato Carosone. And his fame was immediate. <\/span><\/p>\n

Bambino’s contribution was to adapt the Italian song to the flamenco festival, but also rancheras or boleros, which were played in him by buler\u00edas or rumba. Bongos and guitar were their accompaniments and brought flamenco to new audiences. <\/p>\n

The 60s and part of the 70s were his in the tablaos and on the shelves of the music sold in Spanish gas stations. One day, at a performance in Rota, he lost his voice. <\/p>\n

He continued to sing, but only in private. He died of throat cancer at the age of 59 (in 1999). <\/p>\n

<\/span>[\/et_pb_text][et_pb_button button_url=”https:\/\/app.allflamenco.net\/detail\/1167\/esa-maldita-pared-antonio-canales-y-maui-video-promocional-vacuna-fest” url_new_window=”on” button_text=”Maui and Canales %22a Bambino%22″ _builder_version=”4.22.1″ _module_preset=”default” custom_button=”on” button_text_size=”18px” button_text_color=”#FFFFFF” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.19.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/10\/Bambino.-Pelicula.jpg” alt=”Bambino. Movie” title_text=”Bambino. Movie” _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Call to Action” _builder_version=”4.19.5″ _module_preset=”default” background_color=”gcid-74fc9072-2cad-4f61-ba48-82b911082b3f” collapsed=”on” global_colors_info=”{%22gcid-74fc9072-2cad-4f61-ba48-82b911082b3f%22:%91%22background_color%22%93}”][et_pb_row column_structure=”2_5,3_5″ make_equal=”on” _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.19.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/10\/La-Campanera.gif” alt=”La Campanera” title_text=”La Campanera” force_fullwidth=”on” _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.22.1″ _module_preset=”default” custom_padding=”1%||||false|false” custom_padding_tablet=”0px||||false|false” custom_padding_phone=”0px||||false|false” custom_padding_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine|700|||||||” header_2_text_color=”#000000″ custom_margin=”1%||||false|false” global_colors_info=”{}”]<\/p>\n

La Campanera: dance teacher<\/strong><\/h2>\n

Her name was Amparo \u00c1lvarez and they called her La Campanera. He was born, no less, in La Giralda in Seville. That was in 1928.<\/p>\n

Manuel Boh\u00f3rquez says of her that she was “the first professional teacher who had the dance of Seville”. He was key in the development of the Sevillian bolero school and the training of artists through his Aurora academy. For example, Jos\u00e9 Otero Aranda or \u00c1ngel Pericet Carmona. For example, Jos\u00e9 Otero Aranda or \u00c1ngel Pericet Carmona. He died of tuberculosis at the age of 67 in Huelva.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Header” _builder_version=”4.19.5″ _module_preset=”default” background_color=”gcid-74fc9072-2cad-4f61-ba48-82b911082b3f” background_image=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/10\/pie-shop-2b.png” background_size=”custom” background_image_width=”32%” background_position=”top_right” background_horizontal_offset=”8%” background_vertical_offset=”20px” overflow-x=”hidden” overflow-y=”hidden” custom_padding=”||5vw||false|false” background_last_edited=”on|phone” background_position_tablet=”bottom_right” collapsed=”on” global_colors_info=”{%22gcid-74fc9072-2cad-4f61-ba48-82b911082b3f%22:%91%22background_color%22%93}”][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” custom_padding_last_edited=”on|desktop” _builder_version=”4.22.1″ _module_preset=”default” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|tablet” max_width=”none” custom_padding=”40px|40px|40px|40px|true|true” custom_padding_tablet=”30px|30px|30px|30px|true|true” custom_padding_phone=”20px|20px|20px|20px|true|true” border_width_all=”6px” border_color_all=”#000000″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.19.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine|700|||||||” header_2_text_color=”#000000″ custom_margin=”1%||||false|false” global_colors_info=”{}”]<\/p>\n

The Girl with the Swing: The “Other” Girl with the Combs<\/h2>\n

She was the only singer and dancer who could have put up some competition with the greatest, Pastora Pav\u00f3n, the Ni\u00f1a de los Peines. Her name was In\u00e9s (C\u00e1diz, 1892), she was from C\u00e1diz and it is said that she sang the bamberas (flamenco style based on a children’s game) even better than Pastora herself. When his son was shot in the Civil War, he became ill with grief. He died in 1956 in his homeland. <\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.19.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/10\/Nina-del-Columpio-1.jpg” alt=”Swing Girl” title_text=”Swing Girl” _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Call to Action” _builder_version=”4.19.5″ _module_preset=”default” background_color=”gcid-74fc9072-2cad-4f61-ba48-82b911082b3f” collapsed=”on” global_colors_info=”{%22gcid-74fc9072-2cad-4f61-ba48-82b911082b3f%22:%91%22background_color%22%93}”][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.19.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/LFPTOl-bAnk?si=MTKPhdX3LPB9a8uq” image_src=”\/\/i.ytimg.com\/vi\/LFPTOl-bAnk\/hqdefault.jpg” _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

El Sernita: padre del flamenco actual<\/strong><\/h2>\n

Jos\u00e9 Manuel Gamboa, experto flamenco, escribi\u00f3 un libro precioso llamado \u201cSernita de Jerez \u00a1Vamos a acordarnos\u201d que explica la importancia para el flamenco de este cantaor jerezano de casta gitana, familia de artistas y talento natural.<\/p>\n

Sernita se llamaba Manuel Fern\u00e1ndez Moreno (1921-1971) y de \u00e9l dice Gamboa que es \u201cel padre del flamenco contempor\u00e1neo\u201d. Fue importante como cantaor para el baile, lo que le permiti\u00f3 trabajar con Antonio El Bailar\u00edn,<\/a> entre otros. Muri\u00f3 enfermo y sin reconocimiento a su aportaci\u00f3n porque dec\u00edan en la \u00e9poca que sonaba a gach\u00f3<\/em>.<\/p>\n

[\/et_pb_video][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.22.1″ _module_preset=”default” custom_padding=”1%||||false|false” custom_padding_tablet=”0px||||false|false” custom_padding_phone=”0px||||false|false” custom_padding_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine|700|||||||” header_2_text_color=”#000000″ custom_margin=”1%||||false|false” global_colors_info=”{}”]<\/p>\n

La Perrata: voice of Utrera<\/h2>\n

Mar\u00eda Fern\u00e1ndez Granados (1922-2005), singer from Utrera, better known as La Perrata. it collected all the flamenco legacy of Utrera and Lebrija. It was in his blood. She was related to almost all the flamenco gypsies of the region of Utrera and Lebrija, names such as Perrate, Fernanda and Bernarda de Utrera, Pedro Bac\u00e1n, Pedro Pe\u00f1a, In\u00e9s Bac\u00e1n, Gaspar de Utrera, Turronero or Dorantes are some of her family ties and echoes that sound in her voice, because listening to La Perrata you can see that in her voice something of all of them sounds.<\/p>\n

She married Bernardo Pe\u00f1a Vargas at a very young age, who took her away from the profession, although she could be heard at family gatherings. However, much of this union of the cante of Utrera and the cante of Lebrija is due to her.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Header” _builder_version=”4.19.5″ _module_preset=”default” background_color=”gcid-74fc9072-2cad-4f61-ba48-82b911082b3f” background_image=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/10\/pie-shop-2b.png” background_size=”custom” background_image_width=”32%” background_position=”top_right” background_horizontal_offset=”8%” background_vertical_offset=”20px” overflow-x=”hidden” overflow-y=”hidden” custom_padding=”||5vw||false|false” background_last_edited=”on|phone” background_position_tablet=”bottom_right” collapsed=”on” global_colors_info=”{%22gcid-74fc9072-2cad-4f61-ba48-82b911082b3f%22:%91%22background_color%22%93}”][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” custom_padding_last_edited=”on|desktop” _builder_version=”4.22.1″ _module_preset=”default” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|tablet” max_width=”none” custom_padding=”40px|40px|40px|40px|true|true” custom_padding_tablet=”30px|30px|30px|30px|true|true” custom_padding_phone=”20px|20px|20px|20px|true|true” border_width_all=”6px” border_color_all=”#000000″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.19.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine|700|||||||” header_2_text_color=”#000000″ custom_margin=”1%||||false|false” global_colors_info=”{}”]<\/p>\n

El Sernita: father of today’s flamenco<\/strong><\/h2>\n

Jos\u00e9 Manuel Gamboa, a flamenco expert, wrote a beautiful book called “Sernita de Jerez \u00a1Vamos a olvidarnos!” which explains the importance for flamenco of this singer from Jerez with a gypsy caste, family of artists and natural talent.<\/p>\n

Sernita’s name was Manuel Fern\u00e1ndez Moreno (1921-1971) and Gamboa says of him that he is “the father of contemporary flamenco”. He was important as a singer for the dance, which allowed him to work with Antonio El Bailar\u00edn, among others. He died ill and without recognition of his contribution because they said at the time that he sounded like a Gach\u00f3<\/em>.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.19.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/_Zy7LXtME-g?si=D6CFkoAlM7MW2tyU” image_src=”\/\/i.ytimg.com\/vi\/_Zy7LXtME-g\/hqdefault.jpg” _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Bambino “invented” Andalusian rumba-pop; there was a Girl on the Swing who could have overshadowed the one on the Combs. And so, we meet other flamingos with less glamorous lives. <\/p>\n","protected":false},"author":1,"featured_media":401718,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[158,156],"tags":[],"class_list":["post-401731","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-top-flamenco","category-whats-new"],"yoast_head":"\nBambino, the Girl on the Swing... and other forgotten flamenco - ALL FLAMENCO<\/title>\n<meta name=\"description\" content=\"Bambino "invented" rumba-pop and the Ni\u00f1a del Columpio overshadowed the one with the Peines. 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