{"id":399023,"date":"2023-09-09T15:15:47","date_gmt":"2023-09-09T15:15:47","guid":{"rendered":"https:\/\/allflamenco.net\/that-was-from-tablao-canasteros\/"},"modified":"2023-09-09T16:27:54","modified_gmt":"2023-09-09T16:27:54","slug":"that-was-from-tablao-canasteros","status":"publish","type":"post","link":"https:\/\/allflamenco.net\/en\/blog\/that-was-from-tablao-canasteros\/","title":{"rendered":"What happened to Los Canasteros, Manolo Caracol’s tablao"},"content":{"rendered":"

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Manolo Caracol opened Los Canasteros in 1963 to safeguard true flamenco. “No mixed artists”, would say this Sevillian singer.<\/em> Today there is nothing left of what was the most important and aristocratic tablao in Madrid.<\/p>\n

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In Calle Barbieri number 10 in Madrid, next to Gran V\u00eda, Manolo Caracol inaugurated the tablao Los Canasteros in 1963. Y lo dirigi\u00f3 personalmente hasta aquel fat\u00eddico accidente de tr\u00e1fico de 1973 que nos dej\u00f3 sin su voz afill\u00e1<\/em> y \u00fanica.<\/p>\n

Practically, the singer of Sevillian origin locked himself within its walls for the 10 years in which he was in charge. Antonio Mairena, his “rival”, reigned at that time in flamenco festivals,<\/a> so he was not “invited” to almost any. So, from the opening of Los Canasteros, Manolo Caracol decided that he would perform only in his tablao, with very few exceptions. Melchor de Mairena would be his star guitarist and his son-in-law, Arturo Pav\u00f3n, the official pianist. <\/p>\n

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The tablao Los Canasteros was inaugurated on March 1, 1963 with a great performance by Manolo Caracol with the piano of Arturo Pav\u00f3n<\/h3>\n

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Foreigners feel flamenco more than many Spaniards”<\/b><\/h2>\n

Immediately, criticism rained down. And with phrases like “foreigners feel flamenco more than many Spaniards”, Manolo Caracol responded to those who questioned that in a tablao good flamenco could be given. And when entering, on the left, where the bar counter, three portraits: Antonio Chac\u00f3n, Enrique el Mellizo and Manuel Torre. Quite a declaration of intent.<\/p>\n

What’s more: in case there were any doubts, the place was advertised as “the tablao that has to preserve the purest essence of flamenco”.<\/p>\n

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The very same Manolo Caracol distributed the cards of the tablao<\/strong> As if it were “the public relations” of a modern nightclub. <\/h3>\n

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“No mixed artists,” said this Sevillian singer in an interview in April 63. The journalists of the time wrote of Los Canasteros that he was “authentic”, “aristocrat”, “the best”, perhaps remembering that the Sevillian cantaor was a special guest of Francisco Franco.<\/p>\n

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Such was the success of Los Canasteros, that the Duchess of Alba, Cayetana Fitz-Sutart, baptized it as “the Royal Theater of the gypsies”<\/h3>\n

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The tablao, with two floors, had in the background a stage in the style of those of the caves of Sacromonte (Granada). Before him, elegant tables that were filled with politicians, nobles, bullfighters, actors and fans of all kinds. Thick curtains from La Alpujarra guaranteed a warm and discreet atmosphere. <\/p>\n

Thick curtains from La Alpujarra guaranteed a warm and discreet atmosphere.<\/p>\n

The quantity and quality of the artists who stepped on the tablao of Caracol was impressive. From a young Manuela Carrasco to Antonio El Bailar\u00edn himself, who was already a myth. Singers who started, such as Pansequito or La Susi, or guitarists who would be consecrated on their stage, such as Enrique de Melchor or Sorderita. <\/p>\n

Pepe Marchena, Juanito Valderrama. La Ni\u00f1a de los Peines, Mar\u00eda Vargas, Juana Loreto, Fernanda de Utrera and Paco de Luc\u00eda also performed in the historic tablao.<\/p>\n

Afterwards, with the place closed to the public, the night would continue to be washed down with red wine, drinks, good ham and a lot of flamenco. Because there were only the artists left, who debated, improvised songs and were inspired by the chord of the guitars. Ava Gardner, who lived in Madrid trying to forget Frank Sinatra, was a regular, although not so much for Caracol as for how handsome a flamenco singer named Bambino was.<\/p>\n

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Enrique de Melchor learned from those great figures behind a curtain until his uncle, Manolo Caracol, gave him the opportunity to act when he was only 15 years old: “I was very lucky. At this time it would be very difficult to have those great masters,” he would say years later. <\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.22.1″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/Instituto-de-Cultura-Gitana.jpg” alt=”Enrique de Melchor learned from those great figures behind a curtain until his uncle, Manolo Caracol, gave him the opportunity to act when he was only 15 years old: "I was very lucky. At this time it would be very difficult to have those great masters," he would say years later. Photo: Institute of Gypsy Culture. ” title_text=”Tablao Los Canasteros” _builder_version=”4.22.1″ _module_preset=”default” enable_caption_text=”on” image_caption_font=”Domine||||||||” image_caption_color=”#000000″ image_caption_size=”12px” image_caption_lineheight=”1em” image_caption_alignment=”left” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/Manolo-Caracol-en-Los-Canasteros.-TVE.jpg” alt=”Manolo Caracol in Los Canasteros. TVE” title_text=”Manolo Caracol in Los Canasteros. TVE” _builder_version=”4.22.1″ _module_preset=”default” enable_caption_text=”on” image_caption_font=”Domine||||||||” image_caption_color=”#000000″ image_caption_size=”12px” image_caption_lineheight=”1em” image_caption_alignment=”left” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Post Body” _builder_version=”4.22.1″ custom_margin=”1%||1%||false|false” custom_padding=”1%||1%||false|false” border_width_all=”1px” border_color_all=”#E09900″ locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ z_index=”11″ custom_padding=”|60px|||false|false” custom_padding_tablet=”|0px|40px||false|false” custom_padding_phone=”” custom_padding_last_edited=”on|phone” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ text_font=”||||||||” text_font_size=”16px” text_line_height=”2em” header_2_font=”Domine|700|||||||” header_2_text_color=”#000000″ text_orientation=”justified” hover_enabled=”0″ text_font_size_tablet=”15px” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” text_text_align=”justify” locked=”off” global_colors_info=”{}” header_2_2_font_size_tablet=”42px” header_3_2_font_size_tablet=”42px” header_4_2_font_size_tablet=”42px” header_5_2_font_size_tablet=”42px” header_6_2_font_size_tablet=”42px” header_2_2_font_size_phone=”34px” header_3_2_font_size_phone=”34px” header_4_2_font_size_phone=”34px” header_5_2_font_size_phone=”34px” header_6_2_font_size_phone=”34px” header_2_2_font_size_last_edited=”on|tablet” header_3_2_font_size_last_edited=”on|tablet” header_4_2_font_size_last_edited=”on|tablet” header_5_2_font_size_last_edited=”on|tablet” header_6_2_font_size_last_edited=”on|tablet” header_2_3_font_size_tablet=”34px” header_3_3_font_size_tablet=”34px” header_4_3_font_size_tablet=”34px” header_5_3_font_size_tablet=”34px” header_6_3_font_size_tablet=”34px” header_2_3_font_size_phone=”28px” header_3_3_font_size_phone=”28px” header_4_3_font_size_phone=”28px” header_5_3_font_size_phone=”28px” header_6_3_font_size_phone=”28px” header_2_3_font_size_last_edited=”on|phone” header_3_3_font_size_last_edited=”on|phone” header_4_3_font_size_last_edited=”on|phone” header_5_3_font_size_last_edited=”on|phone” header_6_3_font_size_last_edited=”on|phone” header_2_4_font_size_tablet=”22px” header_3_4_font_size_tablet=”22px” header_4_4_font_size_tablet=”22px” header_5_4_font_size_tablet=”22px” header_6_4_font_size_tablet=”22px” header_2_4_font_size_phone=”18px” header_3_4_font_size_phone=”18px” header_4_4_font_size_phone=”18px” header_5_4_font_size_phone=”18px” header_6_4_font_size_phone=”18px” header_2_4_font_size_last_edited=”on|phone” header_3_4_font_size_last_edited=”on|phone” header_4_4_font_size_last_edited=”on|phone” header_5_4_font_size_last_edited=”on|phone” header_6_4_font_size_last_edited=”on|phone” header_2_5_font_size_phone=”16px” header_3_5_font_size_phone=”16px” header_4_5_font_size_phone=”16px” header_5_5_font_size_phone=”16px” header_6_5_font_size_phone=”16px” header_2_5_font_size_last_edited=”on|tablet” header_3_5_font_size_last_edited=”on|tablet” header_4_5_font_size_last_edited=”on|tablet” header_5_5_font_size_last_edited=”on|tablet” header_6_5_font_size_last_edited=”on|tablet” sticky_enabled=”0″]<\/p>\n

From tablao to VIP disco<\/h2>\n

The tragic death of Manolo Caracol led to the temporary closure of Los Canasteros.<\/a> His sons and Arturo Pav\u00f3n tried to refloat it, but finally, the tablao Los Canasteros closed definitively in 1993.<\/p>\n

The place would be occupied by El Patio de la Carreta, dedicated to Argentine tango, although once a week flamenco was played. Cancanilla de M\u00e1laga would perform on one of those occasions.<\/p>\n

Later, in 96, he would open a nightclub called Sala Polana through which famous and famous people passed. After years between bar and gay room, it was put up for sale for almost 4 million euros (the price included four apartments located in the same building). Today, the image below these lines is what remains of the “temple of the gypsies”, Los Canasteros.<\/p>\n

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The tablao in Madrid of Manolo Caracol was a place full of duende, love affairs and mythical flamenco parties. What remains of Los Canasteros?<\/p>\n","protected":false},"author":1,"featured_media":398882,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[164,156],"tags":[],"class_list":["post-399023","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tablaos-and-tabancos","category-whats-new"],"yoast_head":"\nWhat happened to Los Canasteros, Manolo Caracol's tablao - ALL FLAMENCO<\/title>\n<meta name=\"description\" content=\"The tablao Los Canasteros, founded by Manolo Caracol, was a place full of duende, love affairs and mythical flamenco parties. 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