{"id":398245,"date":"2023-09-05T17:12:22","date_gmt":"2023-09-05T17:12:22","guid":{"rendered":"https:\/\/allflamenco.net\/antonio-mairena-biography-part-i\/"},"modified":"2023-09-06T17:14:10","modified_gmt":"2023-09-06T17:14:10","slug":"antonio-mairena-biography-part-i","status":"publish","type":"post","link":"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/","title":{"rendered":"40 years without Antonio Mairena (Part 1)"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Social Sharing Buttons &#8221; _builder_version=&#8221;4.21.0&#8243; custom_margin=&#8221;0px|0px|0px|0px|true|true&#8221; custom_padding=&#8221;0px|0px|10px|0px|false|true&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.21.0&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; max_width=&#8221;1280px&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][dssb_sharing_buttons icon_placement=&#8221;icon&#8221; columns=&#8221;6&#8243; icon_width=&#8221;fixed&#8221; alignment=&#8221;left&#8221; icon_color=&#8221;#111111&#8243; use_custom_icon_size=&#8221;on&#8221; icon_font_size=&#8221;16px&#8221; icon_bg=&#8221;#f4f4f4&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; border_radii_main=&#8221;on|4px|4px|4px|4px&#8221; border_radii_icon=&#8221;on|4px|4px|4px|4px&#8221; border_width_all_icon=&#8221;1px&#8221; border_color_all_icon=&#8221;#f4f4f4&#8243; border_color_all_icon_last_edited=&#8221;off|desktop&#8221; global_colors_info=&#8221;{}&#8221; border_color_all_icon__hover_enabled=&#8221;on|hover&#8221; border_color_all_icon__hover=&#8221;#111111&#8243;][dssb_sharing_button _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/dssb_sharing_button][dssb_sharing_button social_network=&#8221;twitter&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/dssb_sharing_button][dssb_sharing_button social_network=&#8221;whatsapp&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/dssb_sharing_button][dssb_sharing_button social_network=&#8221;telegram&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/dssb_sharing_button][dssb_sharing_button social_network=&#8221;email&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/dssb_sharing_button][dssb_sharing_button social_network=&#8221;copy&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/dssb_sharing_button][\/dssb_sharing_buttons][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; padding_1_tablet=&#8221;0px||&#8221; padding_1_last_edited=&#8221;off|desktop&#8221; admin_label=&#8221;Quote&#8221; _builder_version=&#8221;4.21.0&#8243; background_color=&#8221;RGBA(255,255,255,0)&#8221; background_size=&#8221;contain&#8221; background_position=&#8221;top_center&#8221; custom_padding=&#8221;0|0px|0px|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221; use_background_color_gradient__hover=&#8221;off&#8221; use_background_color_gradient__hover_enabled=&#8221;off&#8221; background_color_gradient_type__hover=&#8221;linear&#8221; background_color_gradient_type__hover_enabled=&#8221;linear&#8221; background_color_gradient_direction__hover=&#8221;180deg&#8221; background_color_gradient_direction__hover_enabled=&#8221;180deg&#8221; background_color_gradient_direction_radial__hover=&#8221;center&#8221; background_color_gradient_direction_radial__hover_enabled=&#8221;center&#8221; background_color_gradient_stops__hover=&#8221;#2b87da 0%|#29c4a9 100%&#8221; background_color_gradient_overlays_image__hover=&#8221;off&#8221; background_color_gradient_overlays_image__hover_enabled=&#8221;off&#8221; background_color_gradient_start__hover=&#8221;#2b87da&#8221; background_color_gradient_start__hover_enabled=&#8221;#2b87da&#8221; background_color_gradient_start_position__hover=&#8221;0%&#8221; background_color_gradient_start_position__hover_enabled=&#8221;0%&#8221; background_color_gradient_end__hover=&#8221;#29c4a9&#8243; background_color_gradient_end__hover_enabled=&#8221;#29c4a9&#8243; background_color_gradient_end_position__hover=&#8221;100%&#8221; background_color_gradient_end_position__hover_enabled=&#8221;100%&#8221; parallax__hover=&#8221;off&#8221; parallax__hover_enabled=&#8221;off&#8221; parallax_method__hover=&#8221;on&#8221; parallax_method__hover_enabled=&#8221;on&#8221; background_size__hover=&#8221;cover&#8221; background_size__hover_enabled=&#8221;cover&#8221; background_position__hover=&#8221;center&#8221; background_position__hover_enabled=&#8221;center&#8221; background_repeat__hover=&#8221;no-repeat&#8221; background_repeat__hover_enabled=&#8221;no-repeat&#8221; background_blend__hover=&#8221;normal&#8221; background_blend__hover_enabled=&#8221;normal&#8221; allow_player_pause__hover=&#8221;off&#8221; allow_player_pause__hover_enabled=&#8221;off&#8221; background_video_pause_outside_viewport__hover=&#8221;on&#8221; background_video_pause_outside_viewport__hover_enabled=&#8221;on&#8221;][et_pb_row _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Domine||||||||&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;25px&#8221; text_line_height=&#8221;35em&#8221; header_2_font=&#8221;Domine|700|||||||&#8221; header_2_text_color=&#8221;#000000&#8243; background_layout=&#8221;dark&#8221; global_colors_info=&#8221;{}&#8221; text_letter_spacing__hover=&#8221;0px&#8221; text_letter_spacing__hover_enabled=&#8221;0px&#8221; text_text_shadow_color__hover=&#8221;rgba(0,0,0,0.4)&#8221; text_text_shadow_color__hover_enabled=&#8221;rgba(0,0,0,0.4)&#8221;]<\/p>\n<p>First part of the biography of Antonio Mairena as a tribute to his figure 40 years after his death. He was a great cante and a crucial researcher of pure flamenco, of forms and styles that could have disappeared without his contributions. Mairenismo continues its work, not without criticism and opposition. <\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221;][et_pb_column _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; type=&#8221;4_4&#8243;][et_pb_image src=&#8221;@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@&#8221; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; _dynamic_attributes=&#8221;src&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243; enable_caption_text=&#8221;on&#8221; image_caption_font=&#8221;Domine||||||||&#8221; image_caption_color=&#8221;#000000&#8243; image_caption_size=&#8221;11px&#8221; image_caption_lineheight=&#8221;1em&#8221; image_caption_alignment=&#8221;left&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;3_5,2_5&#8243; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; max_width=&#8221;none&#8221; module_alignment=&#8221;center&#8221; custom_padding=&#8221;||0px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/Antonio-Mairena-Cante.jpg&#8221; alt=&#8221;Antonio Mairena Cante&#8221; title_text=&#8221;Antonio Mairena Cante&#8221; show_bottom_space=&#8221;off&#8221; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;0px|0px|0px|0px|false|false&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221; image_caption_font=&#8221;Domine||||||||&#8221; image_caption_color=&#8221;#000000&#8243; image_caption_size=&#8221;11px&#8221; image_caption_lineheight=&#8221;1em&#8221; image_caption_alignment=&#8221;left&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.21.0&#8243; text_font=&#8221;Nunito||||||||&#8221; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;Fredoka One||||||||&#8221; header_2_text_color=&#8221;#262f72&#8243; header_2_font_size=&#8221;36px&#8221; header_3_font=&#8221;Fredoka One||||||||&#8221; header_3_font_size=&#8221;26px&#8221; animation_style=&#8221;slide&#8221; animation_direction=&#8221;top&#8221; animation_intensity_slide=&#8221;5%&#8221; animation_starting_opacity=&#8221;100%&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span style=\"color: #000000;\">BIO<\/span><\/h3>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Domine|500|||||||&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;20px&#8221; header_4_font=&#8221;Domine|700|||||||&#8221; header_4_font_size=&#8221;20px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><strong><span style=\"color: #000000;\">Birth-death<\/span><\/strong><\/h4>\n<p><span>Mairena of Alcor <br \/>(Seville) 7-11-1909. The artist explained that, in reality, he was born on the 5th. <br \/><\/span><\/p>\n<p><span>Seville, 5-11-1983 (heart attack)<\/span><\/p>\n<h4><strong>Parents and siblings<\/strong><\/h4>\n<p>Parents: <span>Rafael Cruz Vargas and Aurora Garc\u00eda Heredia<\/span><\/p>\n<p><span>Siblings:<\/span> Curro, Juan Mairena, Manuel, Angelita, \u00c1guila, Rosario and Mar\u00eda Josefa.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Header&#8221; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; min_height=&#8221;0px&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; collapsed=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row custom_padding_last_edited=&#8221;on|tablet&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;RGBA(255,255,255,0)&#8221; custom_margin=&#8221;29px|auto|-36px|auto||&#8221; custom_padding=&#8221;0px|0px|0px|0px|true|true&#8221; custom_padding_tablet=&#8221;40px|40px|40px|40px|true|true&#8221; custom_padding_phone=&#8221;20px|20px|20px|20px|true|true&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;02b46b76-c036-4b35-ac39-0d96fe080a5c&#8221; text_font=&#8221;Domine||||||||&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;20px&#8221; text_line_height=&#8221;32em&#8221; header_2_font=&#8221;Domine|700|||||||&#8221; background_layout=&#8221;dark&#8221; custom_margin=&#8221;|0px||0px|false|false&#8221; custom_padding=&#8221;|0px||0px|false|false&#8221; text_font_size_tablet=&#8221;0&#8243; text_font_size_phone=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>Antonio Mairena, whose real name was Antonio Cruz Garc\u00eda, was born on September 7, 1909<\/strong> in the Sevillian town of Mairena de Alcor. That same year, also in Seville, Manolo Caracol arrived in the world, Things of life, the two would be linked forever.<\/p>\n<p>From a gypsy family, his mother was a great dancer, especially for tangos, as Antonio himself would point out years later. His father, also a great lover of flamenco, would take the cantaor for saraos and parties that would give him the opportunity to learn from great artists of the moment. One of them was the cantaor Manuel Torre (El Ni\u00f1o de Jerez, praised by Lorca). This Jerez would become his main reference for life. <span style=\"font-family: Arial, Helvetica, sans-serif; font-size: small;\"><\/span><\/p>\n<p><strong><\/strong><\/p>\n<p><strong><\/strong><\/p>\n<p><strong><\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_testimonial quote_icon_color=&#8221;#000000&#8243; quote_icon_background_color=&#8221;RGBA(255,255,255,0)&#8221; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; body_font=&#8221;Domine||||||||&#8221; body_text_color=&#8221;#000000&#8243; body_font_size=&#8221;18px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>The Jerez Manuel Torre was a cantaor of those who reach the soul, very sharp, a gypsy who expressed pain like no one else. His seguiriyas are iconic, as is his fickleness. For some experts, overrated; for others, among the best in history.<\/p>\n<p>[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding_last_edited=&#8221;on|tablet&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;RGBA(255,255,255,0)&#8221; custom_margin=&#8221;29px|auto|-36px|auto||&#8221; custom_padding=&#8221;0px|0px|0px|0px|true|true&#8221; custom_padding_tablet=&#8221;40px|40px|40px|40px|true|true&#8221; custom_padding_phone=&#8221;20px|20px|20px|20px|true|true&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;02b46b76-c036-4b35-ac39-0d96fe080a5c&#8221; text_font=&#8221;Domine||||||||&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;2px&#8221; text_line_height=&#8221;32em&#8221; header_2_font=&#8221;Domine|700|||||||&#8221; custom_margin=&#8221;|0px||0px|false|false&#8221; custom_padding=&#8221;|0px||0px|false|false&#8221; text_font_size_tablet=&#8221;0&#8243; text_font_size_phone=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><strong>A childhood that marked his personality<\/strong><\/h2>\n<p>Antonio&#8217;s ancestors were from Utrera, coming to Mairena looking for better opportunities. Rafel, his father, was a blacksmith. The forge in which he worked would be the second home of a young Antonio stealing part of his childhood. Being the eldest of six children, it was custom as well as necessity. <\/p>\n<p>Being the eldest of six children, it was custom as well as necessity. Antonio accompanied him to parties and saraos in Seville and listened attentively to the singers, absorbing their shapes and sounds like a sponge. In addition, the head of the Mairena family was a close friend of figures such as Manuel Torre or Joaqu\u00edn el de la Paula. And these singers would be his first teachers without having proposed it. <\/p>\n<p>But what hurt the cantaor the most was not having been able to study. In his memoirs, he would explain that he went to school only three years and intermittently. He wanted to correct this lack throughout his life, and was not only self-taught, but a very dedicated student when he could afford night classes. <\/p>\n<p><strong><\/strong><\/p>\n<p><strong><\/strong><\/p>\n<p><strong><\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/Casa-de-los-Mairena.jpg&#8221; alt=&#8221;Casa del Arte Flamenco Antonio Mairena.&#8221; title_text=&#8221;Mairena House&#8221; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; enable_caption_text=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221; image_caption_font=&#8221;Domine||||||||&#8221; image_caption_color=&#8221;#000000&#8243; image_caption_size=&#8221;11px&#8221; image_caption_lineheight=&#8221;1em&#8221; image_caption_alignment=&#8221;left&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding_last_edited=&#8221;on|tablet&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;RGBA(255,255,255,0)&#8221; custom_margin=&#8221;29px|auto|-36px|auto||&#8221; custom_padding=&#8221;0px|0px|0px|0px|true|true&#8221; custom_padding_tablet=&#8221;40px|40px|40px|40px|true|true&#8221; custom_padding_phone=&#8221;20px|20px|20px|20px|true|true&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;02b46b76-c036-4b35-ac39-0d96fe080a5c&#8221; text_font=&#8221;Domine||||||||&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;20px&#8221; text_line_height=&#8221;32em&#8221; header_2_font=&#8221;Domine|700|||||||&#8221; background_layout=&#8221;dark&#8221; custom_margin=&#8221;0px|0px|0px|0px|false|false&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; text_font_size_tablet=&#8221;0&#8243; text_font_size_phone=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span style=\"color: #000000;\">Antonio Mairena decides his path<\/span><\/h2>\n<p>Mairena wrote his memoirs and, therefore, we can know some of his feelings during his hard childhood. He felt in his flesh the harshness with which the Roma people faced their marginalization and poverty. And how this was expressed in songs that he listened attentively while hammering in his father&#8217;s blacksmith shop. <\/p>\n<p>And he remembers that moment when he decided his destiny, back in the year 20. At parties, the famous dancer Fa\u00edco performed. Antonio, from his mother&#8217;s knee, felt the urge to let go for a tango, one by Pastora Imperio. Fa\u00edco was excited about the child&#8217;s art, which was a surprise even for his parents. <\/p>\n<p><strong><\/strong><\/p>\n<p><strong><\/strong><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;02b46b76-c036-4b35-ac39-0d96fe080a5c&#8221; text_font=&#8221;Domine||||||||&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;20px&#8221; text_line_height=&#8221;32em&#8221; header_2_font=&#8221;Domine|700|||||||&#8221; background_layout=&#8221;dark&#8221; custom_margin=&#8221;0px|0px||0px|false|false&#8221; custom_padding=&#8221;0px|0px||0px|false|false&#8221; text_font_size_tablet=&#8221;0&#8243; text_font_size_phone=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>La suerte estaba echada y aquel ni\u00f1o ya no querr\u00eda hacer otra cosa que cantar. <span><\/span><span><a href=\"https:\/\/allflamenco.net\/en\/blog\/origin-of-flamenco-5-stories\/\"><\/a><\/span><\/p>\n<p><strong><\/strong><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;02b46b76-c036-4b35-ac39-0d96fe080a5c&#8221; text_font=&#8221;Domine||||||||&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;20px&#8221; text_line_height=&#8221;32em&#8221; header_2_font=&#8221;Domine|700|||||||&#8221; background_layout=&#8221;dark&#8221; custom_margin=&#8221;0px|0px|0px|0px|false|false&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; text_font_size_tablet=&#8221;0&#8243; text_font_size_phone=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span style=\"color: #000000;\">First contest<\/span><\/h2>\n<p>Despite the desire, the lack of money left him without performing in the emblematic <a href=\"https:\/\/allflamenco.net\/en\/blog\/1922-cante-jondo\/\">Granada Contest of 1922.<\/a> It is also true that, for his father, Antonio&#8217;s 12 years were not suitable for introducing himself. In that contest, Manolo Caracol did participate and won with El Tenazas.<\/p>\n<p>Meanwhile, the &#8220;de Mairena&#8221; would climb his first tablao encouraged by his father in 1923. It was in Carmona and the place was called Casa del Moro. It was his professional baptism.<\/p>\n<p>In 1924, already with 14, he could go to<span> the Feria de Alcal\u00e1 de Guada\u00edra to compete for first place. He got it for seguiriya and sole\u00e1, and got 20 hard prize. Joaqu\u00edn el de la Paula was part of the jury and gladly gave the money to that little boy he called Rafael&#8217;s Child. The nickname &#8220;de Mairena&#8221; was given to him by Manuel Torre and, in that contest, Manuel won. <\/span><\/p>\n<p><strong><\/strong><\/p>\n<p><strong><\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;0px|||||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_slider show_pagination=&#8221;off&#8221; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;525349c6-16a8-4624-86e2-951cfb8db9d8&#8243; header_font=&#8221;Domine|600||on|||||&#8221; header_text_color=&#8221;#000000&#8243; header_font_size=&#8221;20px&#8221; body_font=&#8221;Domine||||||||&#8221; body_text_color=&#8221;#000000&#8243; body_line_height=&#8221;1em&#8221; body_ul_item_indent=&#8221;0&#8243; body_ol_item_indent=&#8221;0&#8243; body_quote_border_weight=&#8221;0&#8243; custom_button=&#8221;off&#8221; button_icon_color=&#8221;#000000&#8243; vertical_offset=&#8221;0&#8243; horizontal_offset=&#8221;0&#8243; z_index=&#8221;0&#8243; content_width=&#8221;auto&#8221; custom_margin=&#8221;2%||2%|0px|false|false&#8221; custom_padding=&#8221;2%|0px|2%|0px|false|false&#8221; animation_style=&#8221;fade&#8221; animation_delay=&#8221;1ms&#8221; hover_enabled=&#8221;0&#8243; border_color_all=&#8221;#000000&#8243; border_width_top=&#8221;1px&#8221; border_color_all_image=&#8221;#000000&#8243; box_shadow_style_image=&#8221;preset1&#8243; box_shadow_horizontal_image=&#8221;1px&#8221; box_shadow_blur_image=&#8221;2px&#8221; box_shadow_spread_image=&#8221;0.5px&#8221; box_shadow_color_image=&#8221;#000000&#8243; text_shadow_blur_strength=&#8221;0em&#8221; text_shadow_color=&#8221;#000000&#8243; locked=&#8221;off&#8221; global_colors_info=&#8221;{%22gcid-8b50368a-c64a-42be-b110-e2137ab417d1%22:%91%22header_text_color%22,%22header_text_color%22%93,%22gcid-e6f8585f-043d-4f05-ad96-fb05b9e45208%22:%91%22body_text_color%22%93}&#8221; sticky_enabled=&#8221;0&#8243;][et_pb_slide heading=&#8221;Great phrases&#8221; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; body_text_color=&#8221;#000000&#8243; body_font_size=&#8221;20px&#8221; custom_padding=&#8221;||0px||false|false&#8221; hover_enabled=&#8221;0&#8243; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; sticky_transition=&#8221;on&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p>&#8220;(De Manuel Torre says&#8230;): &#8220;I fell in love with his way of sounding, his echo, his way of singing&#8221;, in <em>Revista Triunfo.<\/em> <\/p>\n<p>[\/et_pb_slide][et_pb_slide heading=&#8221;Great phrases&#8221; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; body_text_color=&#8221;#000000&#8243; body_font_size=&#8221;20px&#8221; body_line_height=&#8221;2em&#8221; custom_padding=&#8221;||0px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; sticky_transition=&#8221;on&#8221;]<\/p>\n<div>&#8220;Cante jondo does not exist. There are only two styles: gypsy singing and flamenco singing. Flamenco is a mixture of gypsy and Andalusian folklore&#8221;<span>. <em>To the flamencologistJuan de la Plata.<\/em> <\/span><\/div>\n<p>[\/et_pb_slide][et_pb_slide heading=&#8221;Great phrases&#8221; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; body_text_color=&#8221;#000000&#8243; body_font_size=&#8221;20px&#8221; custom_padding=&#8221;||0px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; sticky_transition=&#8221;on&#8221;]<\/p>\n<p><span>&#8220;My father was very fond, but he sang absolutely nothing.&#8221; <em>In Confessions of Antonio Mairena.<\/em> <\/span><\/p>\n<p>[\/et_pb_slide][\/et_pb_slider][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding_last_edited=&#8221;on|tablet&#8221; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;RGBA(255,255,255,0)&#8221; custom_margin=&#8221;1%|auto|1%|auto|false|false&#8221; custom_padding=&#8221;0px|0px|0px|0px|true|true&#8221; custom_padding_tablet=&#8221;40px|40px|40px|40px|true|true&#8221; custom_padding_phone=&#8221;20px|20px|20px|20px|true|true&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;02b46b76-c036-4b35-ac39-0d96fe080a5c&#8221; text_font=&#8221;Domine||||||||&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;20px&#8221; text_line_height=&#8221;32em&#8221; header_2_font=&#8221;Domine|700|||||||&#8221; background_layout=&#8221;dark&#8221; custom_margin=&#8221;0px|0px|0px|0px|false|false&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; text_font_size_tablet=&#8221;0&#8243; text_font_size_phone=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span style=\"color: #000000;\">Late 20s, start researching<\/span><\/h2>\n<p>Like many other aspirants, Mairena began performing for friends and family, and continued through taverns and not very exemplary sales. He also ran a bar in Carmona.<\/p>\n<p>The death of his mother in 1928 left him devastated. His father rebuilt his life and he took his two sisters and his maternal grandmother, to whom he was very close, to live with him.<\/p>\n<p>Nineteen twenty-eight also represents his first steps in the investigation of ancient songs. It would be through a relative, Diego el de Brenes; the object of study, the flamenco jondo of <a href=\"https:\/\/allflamenco.net\/en\/blog\/origin-of-flamenco-5-stories\/\">El Nitri, quite unknown, despite the rivalry with Franconetti that gave so much to talk about.<\/a> <strong><\/strong><\/p>\n<p>That research beginning would feed him with his contacts with gypsy artists who, like him, wandered between venues and flamenco operas looking for a living. He examined forgotten or disappearing forms of those singers. He also went through more luxurious and more prestigious venues, such as the Kursal Internacional in Seville, accompanied by Javier Molina. Pero no cuajaba en ninguno. <\/p>\n<p>He had little or no success in those scenarios. But it didn&#8217;t fit into any. More of fandangos than seguiriyas.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_testimonial _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; body_font=&#8221;Domine||||||||&#8221; body_text_color=&#8221;#000000&#8243; body_font_size=&#8221;18px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>He organized a singing contest commissioned by a brotherhood of Mairena, taking Manuel Torre with him. After the performance of this, Mairena, who should be the following, said: <em>&#8220;Distinguished audience: After Manuel Torre&#8217;s performance, it is impossible to sing again&#8230; The show is over.&#8221; <\/em>The year was 1930. <\/p>\n<p>[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; custom_padding_last_edited=&#8221;on|tablet&#8221; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;RGBA(255,255,255,0)&#8221; custom_margin=&#8221;1%|auto|0px|auto|false|false&#8221; custom_padding=&#8221;0px|0px|0px|0px|true|true&#8221; custom_padding_tablet=&#8221;40px|40px|40px|40px|true|true&#8221; custom_padding_phone=&#8221;20px|20px|20px|20px|true|true&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/Maierena-del-Alcor.Feria-Noche.jpg&#8221; alt=&#8221;Mairena de Alcor Fair, reason for a lot of gypsy migration. &#8221; title_text=&#8221;Maierena del Alcor.Feria Night&#8221; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; enable_caption_text=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221; image_caption_font=&#8221;Domine||||||||&#8221; image_caption_color=&#8221;#000000&#8243; image_caption_size=&#8221;11px&#8221; image_caption_lineheight=&#8221;1em&#8221; image_caption_alignment=&#8221;left&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/Casa-de-mairena-en-Carmona.jpg&#8221; alt=&#8221;Mairena&apos;s house in Carmona. Source: Mayrena web&#8221; title_text=&#8221;Mairena house in Carmona.&#8221; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; enable_caption_text=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221; image_caption_font=&#8221;Domine||||||||&#8221; image_caption_color=&#8221;#000000&#8243; image_caption_size=&#8221;11px&#8221; image_caption_lineheight=&#8221;1em&#8221; image_caption_alignment=&#8221;left&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_gallery gallery_ids=&#8221;384725,384728,384731,384734&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; title_font=&#8221;Domine||||||||&#8221; title_text_color=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_gallery][et_pb_text _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;02b46b76-c036-4b35-ac39-0d96fe080a5c&#8221; text_font=&#8221;Domine||||||||&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;20px&#8221; text_line_height=&#8221;32em&#8221; header_2_font=&#8221;Domine|700|||||||&#8221; background_layout=&#8221;dark&#8221; custom_margin=&#8221;0px|0px|0px|0px|false|false&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; text_font_size_tablet=&#8221;0&#8243; text_font_size_phone=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span style=\"color: #000000;\">Antonio becomes great by arrows<\/span><\/h2>\n<p>In the Holy Week of 1933, he had a magnificent opportunity to emerge. He was proposed to replace El Gloria in the Tertulia Sevillana, directed by Juan Belmonte and Rafael El Gallo. As it was Easter, his singing was by saetas. He embroidered them. It was carried on shoulders and they say that even the brothers of the procession of the <span>Christ of the Gypsies stopped to listen to him, which ended with a good fine for the poor costaleros. He stopped being Raphael&#8217;s Child to be Antonio Mairena. <\/span><\/p>\n<p><span>He stopped being Raphael&#8217;s Child to be Antonio Mairena. Carmen Amaya meets her at a party. The dancer had already heard of him and wanted to listen to him personally. Surrendered to the singing of &#8220;de Mairena&#8221;, she invited him to participate in <em>Mar\u00eda de la O<\/em>, the film she was shooting. From this experience arose more possibilities for collaboration, but they were marred by the outbreak of the Civil War. Carmen went into exile in the U.S. and Antonio could not follow her. He had to stay to help his family. A pesar de ese trabajo breve, la bailaora y el cantaor se hicieron buenos amigos, y a\u00f1os despu\u00e9s se volver\u00edan a ver. <\/span><\/p>\n<p><span><\/span><\/p>\n<p>[\/et_pb_text][et_pb_testimonial _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; body_font=&#8221;Domine||||||||&#8221; body_text_color=&#8221;#000000&#8243; body_font_size=&#8221;18px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>There is no agreement among his biographers on whether or not Antonio fulfilled his military service, but what was known is his republican affiliation. Despite that brief work, the bailaora and the cantaor became good friends, and years later they would see each other again.<\/p>\n<p>[\/et_pb_testimonial][et_pb_text _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;02b46b76-c036-4b35-ac39-0d96fe080a5c&#8221; text_font=&#8221;Domine||||||||&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;20px&#8221; text_line_height=&#8221;32em&#8221; header_2_font=&#8221;Domine||||||||&#8221; header_2_text_color=&#8221;#000000&#8243; custom_margin=&#8221;|0px||0px|false|false&#8221; custom_padding=&#8221;0px|||||&#8221; text_font_size_tablet=&#8221;0&#8243; text_font_size_phone=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2> Antonio Mairena also sing &#8220;ligero&#8221;<\/h2>\n<p>While great figures of the time acted with a more commercial style (Manolo Caracol, Valderrama and even the Ni\u00f1a de los Peines), he would continue to &#8220;stumble&#8221;, as he wrote in his memoirs. <span>A day before the outbreak of civil strife in Spain, he acted with the guitarist Melchor de Marchena in a charity function held in the land of Antonio.<\/span> <\/p>\n<p>It was something punctual, but he had to sing some style of those he criticized. Moreover, he would do it in his first four slate recordings in the early 40s on the &#8220;advice&#8221; of the record house (La Voz de Mi Amo), leaving aside the jondos songs that he carried under his arm. That experience took him away from the recording world for a while until Columbia offered to record &#8220;his way&#8221;. <\/p>\n<p>[\/et_pb_text][et_pb_video src=&#8221;https:\/\/youtu.be\/-I0mlxwkSeo?si=ZeHOpKOyKko10qSq&#8221; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243;][\/et_pb_video][et_pb_text _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;02b46b76-c036-4b35-ac39-0d96fe080a5c&#8221; text_font=&#8221;Domine||||||||&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;20px&#8221; text_line_height=&#8221;32em&#8221; header_2_font=&#8221;Domine||||||||&#8221; header_2_text_color=&#8221;#000000&#8243; custom_margin=&#8221;|0px||0px|false|false&#8221; custom_padding=&#8221;0px|||||&#8221; text_font_size_tablet=&#8221;0&#8243; text_font_size_phone=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>The tablaos were the auction<\/h2>\n<p><em>The 50s were the boom of the tablaos.<\/em> Some artists, such as Bernarda de Utrera, Chocolate or Fosforito, avoided those who had a less knowledgeable audience and bet on their more orthodox flamenco even if it was in small places. <\/p>\n<p>Some artists, such as Bernarda de Utrera, Chocolate or Fosforito, avoided those who had a less knowledgeable audience and bet on their more orthodox flamenco even if it was in small places. With Pastora he forged a relationship of mutual trust just when Mairena had just lost his grandmother, almost a mother to him.<\/p>\n<p>I would act in the <span>tablao Villa Rosa and in the Samba cabaret, again from stage to stage. And, just then, Carmen Amaya returns from abroad. It was the year 1949 and the dancer hired him for her company in the show of the Fuencarral Theater. Again, bad luck or fate intervened so that Amaya had to attend to family matters. Fue, de nuevo, una relaci\u00f3n breve. <\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_gallery gallery_ids=&#8221;384725,384728,384731,384734&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; title_font=&#8221;Domine||||||||&#8221; title_text_color=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_gallery][et_pb_testimonial _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; body_font=&#8221;Domine||||||||&#8221; body_text_color=&#8221;#000000&#8243; body_font_size=&#8221;18px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>It was, again, a brief relationship. He admired her and, at her death (1963), he had some resounding words for the Catalan: &#8220;He has been the greatest genius that dance has given&#8221;. <\/p>\n<p>[\/et_pb_testimonial][et_pb_text _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;02b46b76-c036-4b35-ac39-0d96fe080a5c&#8221; text_font=&#8221;Domine||||||||&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;20px&#8221; text_line_height=&#8221;32em&#8221; header_2_font=&#8221;Domine||||||||&#8221; header_2_text_color=&#8221;#000000&#8243; custom_margin=&#8221;|0px||0px|false|false&#8221; custom_padding=&#8221;0px|||||&#8221; text_font_size_tablet=&#8221;0&#8243; text_font_size_phone=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span>About 1950, with the company ofTeresa and Luisillo, would travel through Europe and Africa, in addition to recording a couple of more albums.<\/span> When she met Antonio the Dancer through Valderrama, things changed drastically Lara Mairena. <\/p>\n<p>Although, precisely, that meeting occurred when the cantaor had already expressed his discomfort at the fact that the cante had submitted to the dance. This was not an obstacle to accompany El Bailar\u00edn for 10 years around the world.<\/p>\n<p>Going on the poster of the most famous flamenco dancer on the planet gave him the definitive accolade to consecrate himself as a cantaor. The Key to the best singer was about to come&#8230;<span><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#000000&#8243; width=&#8221;90%&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;2%||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; column_structure=&#8221;1_2,1_2&#8243;][et_pb_column _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; type=&#8221;1_2&#8243;][et_pb_image src=&#8221;https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/Nino-Mairena.-primeras-grabaciones-e1693933566276.jpeg&#8221; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; alt=&#8221;Child Mairena. First recordings.&#8221; title_text=&#8221;Child Mairena. First recordings.&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; image_caption_font=&#8221;Domine||||||||&#8221; image_caption_color=&#8221;#000000&#8243; image_caption_size=&#8221;11px&#8221; image_caption_lineheight=&#8221;1em&#8221; image_caption_alignment=&#8221;left&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; type=&#8221;1_2&#8243;][et_pb_image src=&#8221;https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/Cantinas-de-Cadiz-e1693933484566.jpg&#8221; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; alt=&#8221;Canti\u00f1as de C\u00e1diz&#8221; title_text=&#8221;Canti\u00f1as de C\u00e1diz&#8221; enable_caption_text=&#8221;on&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; image_caption_font=&#8221;Domine||||||||&#8221; image_caption_color=&#8221;#000000&#8243; image_caption_size=&#8221;11px&#8221; image_caption_lineheight=&#8221;1em&#8221; image_caption_alignment=&#8221;left&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; theme_builder_area=&#8221;post_content&#8221; type=&#8221;4_4&#8243;][et_pb_audio title=&#8221;Canti\u00f1a de C\u00e1diz. 1955&#8243; artist_name=&#8221;Antonio Mairena singing, with Manuel Morao playing&#8221; _builder_version=&#8221;4.22.1&#8243; _module_preset=&#8221;default&#8221; audio=&#8221;https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/03-CANTINAS-DE-CADIZ-CON-ANTONIO-AL-BAILE.mp3&#8243; theme_builder_area=&#8221;post_content&#8221; hover_enabled=&#8221;0&#8243; sticky_enabled=&#8221;0&#8243; album_name=&#8221;From Archive.org&#8221;][\/et_pb_audio][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On September 5, 1983, Antonio Mairena said goodbye to us; Two days later, he would have celebrated his birthday. First part of his biography.<\/p>\n","protected":false},"author":1,"featured_media":398210,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-398245","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>40 years without Antonio Mairena (Part 1) - ALL FLAMENCO<\/title>\n<meta name=\"description\" content=\"On September 5, 1983, Antonio Mairena said goodbye to us; Two days later, he would have celebrated his birthday. First part of his Biography.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"40 years without Antonio Mairena (Part 1) - ALL FLAMENCO\" \/>\n<meta property=\"og:description\" content=\"On September 5, 1983, Antonio Mairena said goodbye to us; Two days later, he would have celebrated his birthday. First part of his Biography.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/\" \/>\n<meta property=\"og:site_name\" content=\"ALL FLAMENCO\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/allflamenco\" \/>\n<meta property=\"article:published_time\" content=\"2023-09-05T17:12:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-09-06T17:14:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/AmairenaArco-e1693932192430.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"828\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"operations\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@all_flamenco\" \/>\n<meta name=\"twitter:site\" content=\"@all_flamenco\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"operations\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"24 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/\"},\"author\":{\"name\":\"operations\",\"@id\":\"https:\/\/allflamenco.net\/en\/#\/schema\/person\/d719366e7dbfec3bf209ab328be58252\"},\"headline\":\"40 years without Antonio Mairena (Part 1)\",\"datePublished\":\"2023-09-05T17:12:22+00:00\",\"dateModified\":\"2023-09-06T17:14:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/\"},\"wordCount\":4838,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/allflamenco.net\/en\/#organization\"},\"image\":{\"@id\":\"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/AmairenaArco-e1693932192430.jpg\",\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/\",\"url\":\"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/\",\"name\":\"40 years without Antonio Mairena (Part 1) - ALL FLAMENCO\",\"isPartOf\":{\"@id\":\"https:\/\/allflamenco.net\/en\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/AmairenaArco-e1693932192430.jpg\",\"datePublished\":\"2023-09-05T17:12:22+00:00\",\"dateModified\":\"2023-09-06T17:14:10+00:00\",\"description\":\"On September 5, 1983, Antonio Mairena said goodbye to us; Two days later, he would have celebrated his birthday. First part of his Biography.\",\"breadcrumb\":{\"@id\":\"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/#primaryimage\",\"url\":\"https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/AmairenaArco-e1693932192430.jpg\",\"contentUrl\":\"https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/AmairenaArco-e1693932192430.jpg\",\"width\":1280,\"height\":828,\"caption\":\"Antonio Mairena. Foto: Ayto. Mairena\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/allflamenco.net\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"40 years without Antonio Mairena (Part 1)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/allflamenco.net\/en\/#website\",\"url\":\"https:\/\/allflamenco.net\/en\/\",\"name\":\"ALL FLAMENCO\",\"description\":\"El canal para los amantes del flamenco\",\"publisher\":{\"@id\":\"https:\/\/allflamenco.net\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/allflamenco.net\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/allflamenco.net\/en\/#organization\",\"name\":\"ALL FLAMENCO\",\"alternateName\":\"AF\",\"url\":\"https:\/\/allflamenco.net\/en\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/allflamenco.net\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/logo-allflamenco.jpg\",\"contentUrl\":\"https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/logo-allflamenco.jpg\",\"width\":696,\"height\":696,\"caption\":\"ALL FLAMENCO\"},\"image\":{\"@id\":\"https:\/\/allflamenco.net\/en\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/allflamenco\",\"https:\/\/x.com\/all_flamenco\",\"https:\/\/www.instagram.com\/allflamenco\",\"https:\/\/www.pinterest.es\/allflamenco\/\",\"https:\/\/www.youtube.com\/@ALLFLAMENCO\",\"https:\/\/www.tiktok.com\/@allflamenco\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/allflamenco.net\/en\/#\/schema\/person\/d719366e7dbfec3bf209ab328be58252\",\"name\":\"operations\",\"sameAs\":[\"http:\/\/new.allflamenco.net\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"40 years without Antonio Mairena (Part 1) - ALL FLAMENCO","description":"On September 5, 1983, Antonio Mairena said goodbye to us; Two days later, he would have celebrated his birthday. First part of his Biography.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/","og_locale":"en_US","og_type":"article","og_title":"40 years without Antonio Mairena (Part 1) - ALL FLAMENCO","og_description":"On September 5, 1983, Antonio Mairena said goodbye to us; Two days later, he would have celebrated his birthday. First part of his Biography.","og_url":"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/","og_site_name":"ALL FLAMENCO","article_publisher":"https:\/\/www.facebook.com\/allflamenco","article_published_time":"2023-09-05T17:12:22+00:00","article_modified_time":"2023-09-06T17:14:10+00:00","og_image":[{"width":1280,"height":828,"url":"https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/AmairenaArco-e1693932192430.jpg","type":"image\/jpeg"}],"author":"operations","twitter_card":"summary_large_image","twitter_creator":"@all_flamenco","twitter_site":"@all_flamenco","twitter_misc":{"Written by":"operations","Est. reading time":"24 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/#article","isPartOf":{"@id":"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/"},"author":{"name":"operations","@id":"https:\/\/allflamenco.net\/en\/#\/schema\/person\/d719366e7dbfec3bf209ab328be58252"},"headline":"40 years without Antonio Mairena (Part 1)","datePublished":"2023-09-05T17:12:22+00:00","dateModified":"2023-09-06T17:14:10+00:00","mainEntityOfPage":{"@id":"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/"},"wordCount":4838,"commentCount":0,"publisher":{"@id":"https:\/\/allflamenco.net\/en\/#organization"},"image":{"@id":"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/#primaryimage"},"thumbnailUrl":"https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/AmairenaArco-e1693932192430.jpg","inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/","url":"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/","name":"40 years without Antonio Mairena (Part 1) - ALL FLAMENCO","isPartOf":{"@id":"https:\/\/allflamenco.net\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/#primaryimage"},"image":{"@id":"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/#primaryimage"},"thumbnailUrl":"https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/AmairenaArco-e1693932192430.jpg","datePublished":"2023-09-05T17:12:22+00:00","dateModified":"2023-09-06T17:14:10+00:00","description":"On September 5, 1983, Antonio Mairena said goodbye to us; Two days later, he would have celebrated his birthday. First part of his Biography.","breadcrumb":{"@id":"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/#primaryimage","url":"https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/AmairenaArco-e1693932192430.jpg","contentUrl":"https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/AmairenaArco-e1693932192430.jpg","width":1280,"height":828,"caption":"Antonio Mairena. Foto: Ayto. Mairena"},{"@type":"BreadcrumbList","@id":"https:\/\/allflamenco.net\/en\/blog\/antonio-mairena-biography-part-i\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/allflamenco.net\/en\/"},{"@type":"ListItem","position":2,"name":"40 years without Antonio Mairena (Part 1)"}]},{"@type":"WebSite","@id":"https:\/\/allflamenco.net\/en\/#website","url":"https:\/\/allflamenco.net\/en\/","name":"ALL FLAMENCO","description":"El canal para los amantes del flamenco","publisher":{"@id":"https:\/\/allflamenco.net\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/allflamenco.net\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/allflamenco.net\/en\/#organization","name":"ALL FLAMENCO","alternateName":"AF","url":"https:\/\/allflamenco.net\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/allflamenco.net\/en\/#\/schema\/logo\/image\/","url":"https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/logo-allflamenco.jpg","contentUrl":"https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/09\/logo-allflamenco.jpg","width":696,"height":696,"caption":"ALL FLAMENCO"},"image":{"@id":"https:\/\/allflamenco.net\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/allflamenco","https:\/\/x.com\/all_flamenco","https:\/\/www.instagram.com\/allflamenco","https:\/\/www.pinterest.es\/allflamenco\/","https:\/\/www.youtube.com\/@ALLFLAMENCO","https:\/\/www.tiktok.com\/@allflamenco"]},{"@type":"Person","@id":"https:\/\/allflamenco.net\/en\/#\/schema\/person\/d719366e7dbfec3bf209ab328be58252","name":"operations","sameAs":["http:\/\/new.allflamenco.net"]}]}},"_links":{"self":[{"href":"https:\/\/allflamenco.net\/en\/wp-json\/wp\/v2\/posts\/398245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/allflamenco.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/allflamenco.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/allflamenco.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/allflamenco.net\/en\/wp-json\/wp\/v2\/comments?post=398245"}],"version-history":[{"count":15,"href":"https:\/\/allflamenco.net\/en\/wp-json\/wp\/v2\/posts\/398245\/revisions"}],"predecessor-version":[{"id":398434,"href":"https:\/\/allflamenco.net\/en\/wp-json\/wp\/v2\/posts\/398245\/revisions\/398434"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/allflamenco.net\/en\/wp-json\/wp\/v2\/media\/398210"}],"wp:attachment":[{"href":"https:\/\/allflamenco.net\/en\/wp-json\/wp\/v2\/media?parent=398245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/allflamenco.net\/en\/wp-json\/wp\/v2\/categories?post=398245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/allflamenco.net\/en\/wp-json\/wp\/v2\/tags?post=398245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}