[et_pb_section fb_built=”1″ admin_label=”Social Sharing Buttons ” _builder_version=”4.21.0″ custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|10px|0px|false|true” global_colors_info=”{}”][et_pb_row _builder_version=”4.21.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”1280px” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][dssb_sharing_buttons icon_placement=”icon” columns=”6″ icon_width=”fixed” alignment=”left” icon_color=”#111111″ use_custom_icon_size=”on” icon_font_size=”16px” icon_bg=”#f4f4f4″ _builder_version=”4.21.0″ _module_preset=”default” border_radii_main=”on|4px|4px|4px|4px” border_radii_icon=”on|4px|4px|4px|4px” border_width_all_icon=”1px” border_color_all_icon=”#f4f4f4″ border_color_all_icon_last_edited=”off|desktop” global_colors_info=”{}” border_color_all_icon__hover_enabled=”on|hover” border_color_all_icon__hover=”#111111″][dssb_sharing_button _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”twitter” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”whatsapp” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”telegram” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”email” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”copy” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][\/dssb_sharing_buttons][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ _module_preset=”default” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”25px” text_line_height=”35em” header_2_font=”Domine|700|||||||” header_2_text_color=”#000000″ background_layout=”dark” global_colors_info=”{}” text_letter_spacing__hover=”0px” text_letter_spacing__hover_enabled=”0px” text_text_shadow_color__hover=”rgba(0,0,0,0.4)” text_text_shadow_color__hover_enabled=”rgba(0,0,0,0.4)”]<\/p>\n
Singers who got along badly, the history of the first tablaos or flamenco fashion according to Ikea, are stories that are part of the anecdote of flamenco before and now. <\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.22.1″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” alt=”1888 photo of Caf\u00e9 del Burrero. Fuente: Art Museum.” title_text=”Caf\u00e9_Burrero” _builder_version=”4.22.1″ _module_preset=”default” hover_enabled=”0″ enable_caption_text=”on” global_colors_info=”{}” _dynamic_attributes=”src” sticky_enabled=”0″ image_caption_font=”Domine||||||||” image_caption_color=”#000000″ image_caption_size=”11px” image_caption_lineheight=”1em” image_caption_alignment=”left”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Header” _builder_version=”4.22.1″ _module_preset=”default” background_color=”gcid-1c7f682d-c09a-42e9-8b1c-535ba676533f” use_background_color_gradient=”on” background_color_gradient_direction=”90deg” background_color_gradient_stops=”gcid-1c7f682d-c09a-42e9-8b1c-535ba676533f 65%|rgba(255,255,255,0) 65%” background_color_gradient_overlays_image=”on” background_enable_image=”off” custom_padding=”0px||0px||true|false” background_last_edited=”on|tablet” background_color_gradient_direction_tablet=”180deg” collapsed=”on” global_colors_info=”{%22gcid-1c7f682d-c09a-42e9-8b1c-535ba676533f%22:%91%22background_color%22,%22background_color_gradient_stops%22%93}”][et_pb_row _builder_version=”4.22.1″ _module_preset=”default” z_index=”1″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.20.0″ _module_preset=”default” z_index=”10″ z_index_tablet=”2″ z_index_phone=”2″ z_index_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ _module_preset=”a3324081-4211-4df7-81f4-405f1ba08f75″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_4_text_color=”gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6″ background_layout=”dark” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22header_4_text_color%22%93}”]<\/p>\n
Silverio Franconetti was the “culprit” in 1881<\/strong><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.22.1″ _module_preset=”a17beda4-8445-462b-8d8e-314c01c49cc5″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_text_color=”gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6″ header_2_font=”Domine||||||||” header_2_text_color=”#000000″ header_2_font_size=”50px” background_layout=”dark” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22header_text_color%22%93}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.0″ _module_preset=”ed2b38fc-c66d-4113-a141-a289ced6a2fe” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” background_layout=”dark” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22text_text_color%22%93}”]<\/p>\n Franconetti was a magnificent Sevillian cantaor and an equally great visionary. In that 1881, he opened what is considered the first singing caf\u00e9 in Seville only of flamenco. In it clowns and gypsies met, reflecting what was happening in the streets, that flamenco was spreading through all social strata. Su modelo de negocio era un puro tablao actual y marc\u00f3 parte de la respuesta a qu\u00e9 es el flamenco.<\/em> <\/p>\n The critic Antonio Boh\u00f3rquez explains that, a couple of decades before, there were already cafes with a lot of dancing and singing. Silverio acted in some of them and later directed two. In the latter, he teamed up with a flamenco aficionado named El Burrero (he sold donkey’s milk) and who already had experience in putting on shows geared towards foreigners. Let’s go… A modern-day tablao.<\/a><\/p>\n After a few years hand in hand with El Burrero, Franconetti set up his own flamenco caf\u00e9 and named it after him. The Silverio caf\u00e9 opened its doors in 1881 in the Rosario Street, 4. He gained a lot of fame despite the fact that in his place, as in similar ones in Seville, partying, alcohol and competitions on stage between unknown artists and talents ended in razors. <\/span><\/p>\n Silverio himself had a “deadly” confrontation with the fashionable singer, the first Golden Key of the Andalusian capital: El Nitri. He refused to sing in front of Franconetti so as not to give him anything of his gypsy flamenco. Encima, cuando recibi\u00f3 esa llave al cante, que pod\u00eda haber sido para el due\u00f1o del caf\u00e9, se formaron dos bandos, a favor y en contra de uno y otro, que alentaron esa rivalidad.<\/strong> <\/p>\n [\/et_pb_text][et_pb_testimonial _builder_version=”4.22.1″ _module_preset=”default” body_font_size=”16px” background_color=”rgba(224,153,0,0.09)” global_colors_info=”{}”]<\/p>\n “Here they drink ali\u00f1\u00e1s and manzanilla (wine from the area) as if it were water.”<\/em> This is how he describes the atmosphere of the Caf\u00e9 dl Burrero Silverio Dom\u00ednguez in “Ecos de un rinc\u00f3n de Espa\u00f1a: impresiones de un paseo”.<\/p>\n [\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”About” _builder_version=”4.20.0″ _module_preset=”default” background_color=”gcid-de71f7e9-c73d-4bf6-9384-53a89cf199ff” custom_padding=”0px||0px||true|false” collapsed=”on” global_colors_info=”{%22gcid-de71f7e9-c73d-4bf6-9384-53a89cf199ff%22:%91%22background_color%22%93}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.22.1″ _module_preset=”default” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/08\/5-historias-del-flamenco.jpg” alt=”Flamenco Stories” title_text=”5 stories of flamenco” _builder_version=”4.22.1″ _module_preset=”default” custom_margin=”|||-10vw|false|false” custom_margin_tablet=”|-10vw||-10vw|false|true” custom_margin_phone=”|-10vw||-10vw|false|true” custom_margin_last_edited=”on|tablet” border_color_all=”#8a8569″ border_width_top=”3vw” border_width_right=”3vw” border_width_top_tablet=”10vw” border_width_top_phone=”10vw” border_width_top_last_edited=”on|tablet” border_width_right_tablet=”10vw” border_width_right_phone=”10vw” border_width_right_last_edited=”on|tablet” global_colors_info=”{}” image_caption_font=”Domine||||||||” image_caption_color=”#000000″ image_caption_size=”11px” image_caption_lineheight=”1em” image_caption_alignment=”left”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.22.1″ _module_preset=”default” custom_padding=”5%||5%||true|true” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ _module_preset=”a3324081-4211-4df7-81f4-405f1ba08f75″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_4_text_color=”gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6″ background_layout=”dark” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22header_4_text_color%22%93}”]<\/p>\n Antonio Machado and \u00c1lvarez Dem\u00f3filo, 1881<\/strong><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.0″ _module_preset=”4f4011ee-1cf6-402a-961e-53b1d18c4b51″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_text_color=”gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6″ background_layout=”dark” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22header_2_text_color%22%93}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”rgba(0,0,0,0.2)” divider_position=”center” divider_weight=”2px” _builder_version=”4.20.0″ _module_preset=”default” custom_margin=”|||-38%|false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][et_pb_text _builder_version=”4.20.0″ _module_preset=”ed2b38fc-c66d-4113-a141-a289ced6a2fe” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” background_layout=”dark” custom_margin=”30px||||false|false” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22text_text_color%22%93}”]<\/p>\n At the same time that Silverio Franconetti opened his caf\u00e9 tablao, the Galician Antonio Machado y \u00c1lvarez published a two-volume collection called “Cantes flamencos” under the pseudonym of Dem\u00f3filo. Era, fundamentalmente, una recopilaci\u00f3n de sus art\u00edculos publicados durante a\u00f1os en una revista sevillana. <\/p>\n It was, fundamentally, a compilation of his articles published for years in a Sevillian magazine. It analyzes cantes (such as soledades or sole\u00e1) and gives them that specific characteristic that differentiates them from other flocl\u00f3rico cantes.<\/p>\n Curiously, more than a century later, his reflections are still in vogue. That is to say, that flamenco is complex, that it seems that it is going to disappear and that those singing cafes do more good than bad. The fact of strengthening the study of flamenco based on scientific analysis would be the beginning of flamencology.<\/strong> <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.22.1″ _module_preset=”default” background_color=”rgba(224,153,0,0.09)” background_image=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/07\/G21_OLD_Nuevo-Mundo-CONCURSO-Cante-Jondo-GRANADA.jpg” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.22.1″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/allflamenco.net\/en\/1922-cante-jondo\/” url_new_window=”on” button_text=”Another important milestone: the 1922 contest” button_alignment=”left” _builder_version=”4.22.1″ _module_preset=”5e890b50-b80a-4c9e-8808-bab7b4701c91″ button_text_color=”#000000″ button_bg_color=”#FFFFFF” button_border_color=”gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6″ custom_margin=”30px||||false|false” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22button_border_color%22,%22button_border_color%22,%22button_border_color%22%93}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”About” _builder_version=”4.20.0″ _module_preset=”default” background_color=”gcid-de71f7e9-c73d-4bf6-9384-53a89cf199ff” custom_padding=”0px||0px||true|false” collapsed=”on” global_colors_info=”{%22gcid-de71f7e9-c73d-4bf6-9384-53a89cf199ff%22:%91%22background_color%22%93}”][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Video” _builder_version=”4.20.0″ _module_preset=”default” background_color=”gcid-1c7f682d-c09a-42e9-8b1c-535ba676533f” collapsed=”on” global_colors_info=”{%22gcid-1c7f682d-c09a-42e9-8b1c-535ba676533f%22:%91%22background_color%22%93}”][et_pb_row _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ _module_preset=”a3324081-4211-4df7-81f4-405f1ba08f75″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_4_text_color=”gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6″ background_layout=”dark” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22header_4_text_color%22%93}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.0″ _module_preset=”4f4011ee-1cf6-402a-961e-53b1d18c4b51″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_text_color=”gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6″ background_layout=”dark” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22header_2_text_color%22%93}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.0″ _module_preset=”ed2b38fc-c66d-4113-a141-a289ced6a2fe” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” background_layout=”dark” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22text_text_color%22%93}”]<\/p>\n You could title this chapter as the movie “Intimate Enemies”. The origin of flamenco owes much to the enmity between two singers exalted according to the time. One is usually payo and the other gypsy; and one pulling to modern and another to very traditional.<\/p>\n Antonio Chac\u00f3n (Jerez de la Frontera, 1869-1929) and Francisco Lema Ullet, nicknamed “Fosforito el Viejo” (C\u00e1diz, 1869-1940), were one of those cases of confrontation. They sang together for a while until Chac\u00f3n became the star of Caf\u00e9 Silverio and Fosforito at Caf\u00e9 de El Borrico. They competed to be the best and the coffees to take to the public. So they ended up being “enemies.” So much so, that the entrepreneurs of these two Sevillian premises had to agree on schedules so that customers could see both.<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.0″ _module_preset=”ed2b38fc-c66d-4113-a141-a289ced6a2fe” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” background_layout=”dark” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22text_text_color%22%93}”]<\/p>\n But, perhaps, the non-couple of those who have run more rivers of ink is that of Antonio Mairena and Manolo Caracol. Mairena (1909-1983), politically left-wing in the Franco era; Manolo (1909-1973), closer to the status quo.<\/em> Caracol w<\/em>ould mess with Antonio if he drank one too many drinks. And we mentioned this because, surely, that’s where a large part of their differences would come from. <\/p>\n On the other hand, they were heads and tails, two different styles. The first, researched and studied cante, being a great representative of the purest, the most jondo. In addition, he specialized in recitals at festivals, which were beginning to gain strength in front of some tablaos increasingly worse seen. <\/p>\n Manolo ten\u00eda genes familiares de figuras como la de El Nitri, del que hemos hablado en la parte dedicada a los caf\u00e9s cantantes.<\/a> His style was closer and more popular. To put it in some way, easier to understand by all kinds of audiences. Which does not mean that he did not master the art jondo. And, yes, he had his own tablao in Madrid. <\/p>\n Caracol was known and respected from a very young age. Antonio Mairena would already be in the 60s, although he would have the Golden Key of C\u00f3rdoba and an honorable mention of the Chair of Flamencology of Jerez.<\/p>\n The “Marienistas” and the “caracoleros” formed two very warlike sides. The same thing would happen at the time of Camar\u00f3n and Menese, for example. In general, these two ways of understanding flamenco have always been present. Or keep the most traditional flamenco 100% or open up to trends. <\/p>\n It is curious that both Chac\u00f3n and Fosforito as well as Caracol and Mairena, did have one thing in common: the year of birth. <\/strong><\/p>\n [\/et_pb_text][et_pb_video src=”https:\/\/youtu.be\/mIUMMJIgRW8?si=IGd3frTO68TNKc8Z” play_icon_color=”gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6″ _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22play_icon_color%22%93}”][\/et_pb_video][et_pb_testimonial _builder_version=”4.22.1″ _module_preset=”default” body_font_size=”16px” background_color=”rgba(224,153,0,0.09)” global_colors_info=”{}”]<\/p>\n The confrontation between Antonio Mairena and Manolo Caracol would reach the point that, the latter, was not invited to participate in festivals, territory “conquered” by Antonio Mairena. <\/i><\/p>\n [\/et_pb_testimonial][et_pb_video src=”https:\/\/youtu.be\/UyR-SO50QuA?si=VAb9mLzWXqxFYK1e” play_icon_color=”gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6″ _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22play_icon_color%22%93}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.22.1″ _module_preset=”default” background_color=”rgba(224,153,0,0.09)” background_image=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/07\/G21_OLD_Nuevo-Mundo-CONCURSO-Cante-Jondo-GRANADA.jpg” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.22.1″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/allflamenco.net\/en\/carmencita-bailaora-first-women-film\/” url_new_window=”on” button_text=”Carmencita, the first famous dancer in the US” button_alignment=”left” _builder_version=”4.22.1″ _module_preset=”5e890b50-b80a-4c9e-8808-bab7b4701c91″ button_text_color=”#000000″ button_bg_color=”#FFFFFF” button_border_color=”gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6″ custom_margin=”30px||||false|false” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22button_border_color%22,%22button_border_color%22,%22button_border_color%22%93}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.22.1″ _module_preset=”default” background_color=”rgba(224,153,0,0.09)” background_image=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/07\/G21_OLD_Nuevo-Mundo-CONCURSO-Cante-Jondo-GRANADA.jpg” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.22.1″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/allflamenco.net\/en\/female-guitarist-flamenco\/” url_new_window=”on” button_text=”Another important milestone: women on guitar” button_alignment=”left” _builder_version=”4.22.1″ _module_preset=”5e890b50-b80a-4c9e-8808-bab7b4701c91″ button_text_color=”#000000″ button_bg_color=”#FFFFFF” button_border_color=”gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6″ custom_margin=”30px||||false|false” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22button_border_color%22,%22button_border_color%22,%22button_border_color%22%93}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”About” _builder_version=”4.20.0″ _module_preset=”default” background_color=”gcid-de71f7e9-c73d-4bf6-9384-53a89cf199ff” custom_padding=”0px||0px||true|false” collapsed=”on” global_colors_info=”{%22gcid-de71f7e9-c73d-4bf6-9384-53a89cf199ff%22:%91%22background_color%22%93}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.22.1″ _module_preset=”default” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/08\/La_nina_de_los_peines.jpg” alt=”La Ni\u00f1a de Los Peines painted by Julio Romero de Torres. ” title_text=”La Ni\u00f1a de Los Peines painted by Julio Romero de Torres.” force_fullwidth=”on” _builder_version=”4.22.1″ _module_preset=”default” custom_margin=”|||1%|false|false” custom_margin_tablet=”|-10vw||-10vw|false|true” custom_margin_phone=”|-10vw||-10vw|false|true” custom_margin_last_edited=”on|tablet” enable_caption_text=”on” border_color_all=”#8a8569″ border_width_top=”3vw” border_width_right=”3vw” border_width_top_tablet=”10vw” border_width_top_phone=”10vw” border_width_top_last_edited=”on|tablet” border_width_right_tablet=”10vw” border_width_right_phone=”10vw” border_width_right_last_edited=”on|tablet” global_colors_info=”{}” image_caption_font=”Domine||||||||” image_caption_color=”#000000″ image_caption_size=”11px” image_caption_lineheight=”1em” image_caption_alignment=”left”][\/et_pb_image][et_pb_video src=”https:\/\/youtu.be\/PXuMrNWf9cw?si=oUH87YdpcRHchBPU” _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.22.1″ _module_preset=”default” custom_padding=”5%|0px|5%|0px|true|true” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ _module_preset=”a3324081-4211-4df7-81f4-405f1ba08f75″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_4_text_color=”gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6″ background_layout=”dark” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22header_4_text_color%22%93}”]<\/p>\n Pastora Pav\u00f3n, La Ni\u00f1a de los Peines<\/strong><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.0″ _module_preset=”4f4011ee-1cf6-402a-961e-53b1d18c4b51″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_text_color=”gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6″ background_layout=”dark” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22header_2_text_color%22%93}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”rgba(0,0,0,0.2)” divider_position=”center” divider_weight=”2px” _builder_version=”4.20.0″ _module_preset=”default” custom_margin=”|||-38%|false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][et_pb_text _builder_version=”4.20.0″ _module_preset=”ed2b38fc-c66d-4113-a141-a289ced6a2fe” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” background_layout=”dark” custom_margin=”30px||||false|false” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22text_text_color%22%93}”]<\/p>\n It was not the first in the history of flamenco, but La Ni\u00f1a de los Peines (Seville, 1890-1969) is exceptional for many reasons. He agreed on those two sides of which we have spoken earlier on these lines. And so they named her “the queen of flamenco”. Another reason: the Ministry of Culture of the Junta de Andaluc\u00eda declared his voice “Bien de Inter\u00e9s Cultural”<\/strong> in 1996 preserving his main recordings. <\/span><\/p>\n And, above all, she is a reference for a successful flamenco woman in a world where women left their careers in singing or dancing after getting married, like T\u00eda Anica La Piri\u00f1aca. This great artist could only return to the stage when her husband died. Others ended up leaving their lives along the way, being a brutal case that of La Pe\u00f1aranda, murdered. <\/span><\/p>\n La Ni\u00f1a de Los Peines, married to another cantaor, Pepe Pinto, was a woman of character who tried to face the men who triumphed in those years. For example, Antonio Chac\u00f3n or Manuel Torre. She was so perfect in all the clubs that they<\/em> had no choice. Today, she is still considered “the best cantaora of all time”. <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.22.1″ _module_preset=”default” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/08\/Vestido-Novia-Balenciaga-1.jpg” alt=”The tail gown inspires this Balenciaga bridal model. Foto: Museo Balenciaga. ” title_text=”Photo: Balenciaga Museum.” _builder_version=”4.22.1″ _module_preset=”default” custom_margin=”|||-10vw|false|false” custom_margin_tablet=”|-10vw||-10vw|false|true” custom_margin_phone=”|-10vw||-10vw|false|true” custom_margin_last_edited=”on|tablet” hover_enabled=”0″ enable_caption_text=”on” image_caption_font=”Domine||||||||” image_caption_color=”#000000″ image_caption_size=”11px” image_caption_lineheight=”1em” image_caption_alignment=”left” border_color_all=”#8a8569″ border_width_top=”3vw” border_width_right=”3vw” border_width_top_tablet=”10vw” border_width_top_phone=”10vw” border_width_top_last_edited=”on|tablet” border_width_right_tablet=”10vw” border_width_right_phone=”10vw” border_width_right_last_edited=”on|tablet” global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/08\/Ikea-Moda-Flamenca.jpg” alt=”Ikea Flamenco Fashion” title_text=”Ikea Flamenco Fashion” _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}” image_caption_font=”Domine||||||||” image_caption_color=”#000000″ image_caption_size=”11px” image_caption_lineheight=”1em” image_caption_alignment=”left”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.22.1″ _module_preset=”default” custom_padding=”5%||5%||true|true” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ _module_preset=”a3324081-4211-4df7-81f4-405f1ba08f75″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_4_text_color=”gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6″ background_layout=”dark” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22header_4_text_color%22%93}”]<\/p>\n Balenciaga vs. Ikea<\/strong><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.20.0″ _module_preset=”4f4011ee-1cf6-402a-961e-53b1d18c4b51″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_text_color=”gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6″ background_layout=”dark” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22header_2_text_color%22%93}”]<\/p>\n [\/et_pb_text][et_pb_divider color=”rgba(0,0,0,0.2)” divider_position=”center” divider_weight=”2px” _builder_version=”4.20.0″ _module_preset=”default” custom_margin=”|||-38%|false|false” locked=”off” global_colors_info=”{}”][\/et_pb_divider][et_pb_text _builder_version=”4.20.0″ _module_preset=”ed2b38fc-c66d-4113-a141-a289ced6a2fe” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” background_layout=”dark” custom_margin=”30px||||false|false” global_colors_info=”{%22gcid-606d042f-c90f-4ea6-97e7-7b08f1ba25f6%22:%91%22text_text_color%22%93}”]<\/p>\n This year 2023, the Flamencaba collection by Louis Vuitton has been presented. His muse is Rossy de Palma and her accessories pay tribute to the rich culture of flamenco and handicrafts of Andalusia. Loewe has a line of bags with motifs inspired by Andalusian flamenco that are in high demand. Chanel already did it in 1930. <\/span><\/span><\/p>\n <\/span><\/p>\n Because, that flamenco is very present in fashion, it is not now, when SIMOF<\/a> or We Love Flamenco<\/a> bet on this art as the protagonist of their catwalks. A great exponent of this connection in Haute Couture was Crist\u00f3bal Balenciaga (1895-1972). The flamenco costumes (polka dots, bata de cola and ruffles) were constant references in this master of Basque origin. <\/span><\/p>\n The flamenco costumes (polka dots, bata de cola and ruffles) were constant references in this master of Basque origin. The Ikea Flamenco Contest, organized in Seville together with the Superior School of Fashion, has already nine editions. In 2023, the winner has been Beatriz Gonz\u00e1lez L\u00f3pez, with the suit of the image based on sponges of the Swedish store.<\/strong> <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" How badly Chac\u00f3n and Fosforito got along, that Ikea does flamenco fashion shows or the history of the birth of tablaos, moments that we review with you. <\/p>\n","protected":false},"author":1,"featured_media":397356,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[140,156],"tags":[],"class_list":["post-397365","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-curiosities","category-whats-new"],"yoast_head":"\n1 The first tablao is born<\/h2>\n
2 Flamenco
is studied scientifically<\/h2>\nAntonio Chac\u00f3n and Fosforito El Viejo; Manolo Caracol and Antonio Mairena<\/h4>\n
3 Historical enmities<\/h2>\n
4 An exceptional case of cantaora<\/h2>\n
5 Flamenco becomes “fashionable”<\/h2>\n