[et_pb_section fb_built=”1″ admin_label=”Social Sharing Buttons ” _builder_version=”4.21.0″ custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|10px|0px|false|true” global_colors_info=”{}”][et_pb_row _builder_version=”4.21.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”1280px” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][dssb_sharing_buttons icon_placement=”icon” columns=”6″ icon_width=”fixed” alignment=”left” icon_color=”#111111″ use_custom_icon_size=”on” icon_font_size=”16px” icon_bg=”#f4f4f4″ _builder_version=”4.21.0″ _module_preset=”default” border_radii_main=”on|4px|4px|4px|4px” border_radii_icon=”on|4px|4px|4px|4px” border_width_all_icon=”1px” border_color_all_icon=”#f4f4f4″ border_color_all_icon_last_edited=”off|desktop” global_colors_info=”{}” border_color_all_icon__hover_enabled=”on|hover” border_color_all_icon__hover=”#111111″][dssb_sharing_button _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”twitter” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”whatsapp” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”telegram” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”email” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”copy” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][\/dssb_sharing_buttons][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”About” _builder_version=”4.21.0″ _module_preset=”default” background_enable_color=”off” custom_margin=”10px||-133px||false|false” custom_padding=”10px||||false|false” collapsed=”on” global_colors_info=”{}”][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”About” _builder_version=”4.21.0″ _module_preset=”default” background_enable_color=”off” custom_margin=”10px||-133px||false|false” custom_padding=”10px||||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”-38px|auto||auto||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”25px” text_line_height=”35em” header_2_font=”Domine||||||||” header_3_font=”Domine|||on|||||” header_3_text_color=”#000000″ header_4_font=”Domine||||||||” header_4_text_color=”#FFFFFF” header_4_line_height=”1.4em” background_layout=”dark” header_4_font_size_tablet=”16px” header_4_font_size_phone=”15px” header_4_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n
The most intense week of flamenco in the north of Spain, Flamenco On Fire, is already underway between the 18th and 27th of August. A festival that mixes the traditional and the more heterodox with a programme of artists that mingle in a super popular atmosphere. Its emblem is the guitar master Sabicas, to whose figure the entire event has been dedicated since 2014. <\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” width=”100%” min_height=”709.4px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” _builder_version=”4.22.0″ _dynamic_attributes=”src” _module_preset=”default” custom_margin=”-28px|||||” enable_caption_text=”on” image_caption_font=”Domine||||||||” image_caption_color=”#000000″ image_caption_size=”11px” image_caption_lineheight=”1em” image_caption_alignment=”right” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Projects” _builder_version=”4.22.0″ _module_preset=”default” custom_margin=”2%||||false|false” collapsed=”on” global_colors_info=”{}”][et_pb_row _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine||||||||” header_3_font=”Domine|||on|||||” header_3_text_color=”#000000″ header_4_font=”Domine||||||||” header_4_text_color=”#FFFFFF” header_4_line_height=”1.4em” background_layout=”dark” header_4_font_size_tablet=”16px” header_4_font_size_phone=”15px” header_4_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n
Flamenco On Fire was basically the brainchild of a former waiter at Madrid’s iconic Casa Patas, Miguel Mor\u00e1n. Ten years later, it is one of the most loved festivals by its neighbours. Pamplona is the centre of almost all the activities, but on the 18th there will be shows in Viana and on the 19th of August in Tudela. <\/p>\n
Miguel was in charge until, around 2019, he suggested to Arturo Fern\u00e1ndez that he should be his replacement. After 15 years after the Benicassin Festival and after this festival in Navarre, Miguel is no longer “on fire”. However, he is not out of the circuit: he is devising Bierzo al Toque (confirmed in Diario de Navarra).<\/em> <\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.22.0″ _module_preset=”default” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine||||||||” header_2_text_color=”#000000″ header_3_font=”Domine|||on|||||” header_3_text_color=”#000000″ header_4_font=”Domine||||||||” header_4_text_color=”#FFFFFF” header_4_line_height=”1.4em” background_layout=”dark” header_4_font_size_tablet=”16px” header_4_font_size_phone=”15px” header_4_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n Putting on a flamenco festival in Navarre was a somewhat unique idea. Apart from the great, great Sabicas -the Pamplona-born guitarist to whom this festival is dedicated-, there is not much culture of this style in the province. Even politicians were incredulous about the support of the mayor’s office in its uncertain beginnings.<\/p>\n This support from the City Council continues. Also that of the Diputaci\u00f3n, although the organisation and resources are mostly private, and under the Fundaci\u00f3n Flamenco On Fire. So ticket revenue is vital: the range is very wide, from \u20ac22 to \u20ac76. The tablao dinners are going up in price. For example, for 7 people in the “tablao” on 27 August with Cancanilla from Malaga is 309 euros.<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine||||||||” header_3_font=”Domine|||on|||||” header_3_text_color=”#000000″ header_4_font=”Domine||||||||” header_4_text_color=”#FFFFFF” header_4_line_height=”1.4em” background_layout=”dark” header_4_font_size_tablet=”16px” header_4_font_size_phone=”15px” header_4_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n The life of Cancanilla, a genius of the comp\u00e1s. <\/a><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine||||||||” header_3_font=”Domine|||on|||||” header_3_text_color=”#000000″ header_4_font=”Domine||||||||” header_4_text_color=”#FFFFFF” header_4_line_height=”1.4em” header_4_font_size_tablet=”16px” header_4_font_size_phone=”15px” header_4_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n It is a transgressive festival, because its identity is that it has no identity. In other words, you can enjoy the most jondo and the most innovative. The philosophy that all types of fans should be represented is at the heart of the event. The leitmotif<\/em> is the figure of Agust\u00edn Castell\u00f3n Campos “Sabicas”. The purpose of recovering the name and work of this master of guitar playing was one of the reasons for its foundation. <\/span><\/p>\n It is also always repeated that each edition has a slogan that brings together its programme. This 2023 is “Alzapua”. The alzapua is a characteristic flamenco playing technique that uses the thumb to strike the strings. It is a new reaffirmation of the On Fire style: guitar, then singing and, to a lesser extent, dancing. <\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine||||||||” header_3_font=”Domine|||on|||||” header_3_text_color=”#000000″ header_4_font=”Domine||||||||” header_4_text_color=”#FFFFFF” header_4_line_height=”1.4em” header_4_font_size_tablet=”16px” header_4_font_size_phone=”15px” header_4_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n The programme is divided into several parts. The free one, which is a street programme (open-air recitals, workshops, exhibitions, round tables…), and the large-scale shows, hosted by large theatres. In turn, within these shows, the most orthodox flamenco shows are usually at the Baluarte theatre and the most modern at the 21st Century Stage of the Zentral.<\/p>\n At night, the Ciclo Nocturno takes place, where the festival becomes a tablao and the performances are more group-based. And for the little ones there is always a workshop which, in this edition, consists of dance lessons of about 60 minutes. Juan Vargas will be in charge with the collaboration of the three dance schools of Pamplona: Sandra Gallardo, Cuarto Corralillos and El Juncal. <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/08\/Sara-Baras-Festival-Flamenco-on-Fire-Pamplona-Medusa-960×540-1.jpg” alt=”Sara Baras with Medusa in the first edition of On Fire. ” title_text=”Sara-Baras-Flamenco-on-fire” force_fullwidth=”on” _builder_version=”4.22.0″ _module_preset=”default” enable_caption_text=”on” image_caption_font=”Domine||||||||” image_caption_color=”#000000″ image_caption_size=”11px” image_caption_lineheight=”1em” image_caption_alignment=”right” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/08\/descargar.jpg” alt=”In 2018, they dedicated Flamenco On Fire to women.” title_text=”In 2018, they dedicated Flamenco On Fire to women.” _builder_version=”4.22.0″ _module_preset=”default” enable_caption_text=”on” image_caption_font=”Domine||||||||” image_caption_color=”#000000″ image_caption_size=”11px” image_caption_lineheight=”1em” image_caption_alignment=”right” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.22.0″ _module_preset=”default” max_width=”none” module_alignment=”center” custom_margin=”|1%||1%|false|false” custom_padding=”|1%||1%|false|false” border_radii=”on|1px|1px|1px|1px” border_width_all=”1px” border_color_all=”#C12A21″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.0″ _module_preset=”default” header_2_font=”Domine||||||||” header_3_font=”Domine|||on|||||” header_3_text_color=”#000000″ header_4_font=”Domine||||||||” header_4_text_color=”#FFFFFF” header_4_line_height=”1.4em” header_4_font_size_tablet=”16px” header_4_font_size_phone=”15px” header_4_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n This date is relevant for the popularisation of this annual event. The idea of bringing flamenco to the balconies of emblematic buildings to offer free performances to ordinary citizens is not an invention of the Navarrese festival. But when a recital section of this kind was added to the programme in 2026, the reception of Flamenco On Fire grew exponentially. <\/p>\n Just as other proposals have come and gone (such as Sabicas’ pincho), singing, playing and dancing from the terrace is now part of the event. <\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.22.0″ _module_preset=”default” header_2_font=”Domine||||||||” header_3_font=”Domine|||on|||||” header_3_text_color=”#000000″ header_4_font=”Domine||||||||” header_4_text_color=”#FFFFFF” header_4_line_height=”1.4em” header_4_font_size_tablet=”16px” header_4_font_size_phone=”15px” header_4_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n Another festival with a great programme in the streets: La Isla Ciudad Flamenca. <\/a><\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/08\/63a0e06a9a5ccc15edd497e3_flamenco-on-fire-2019-1.jpeg” alt=”Flamenco comes out on the balconies. Image 2019. ” title_text=”Flamenco comes out on the balconies. Image 2019. ” _builder_version=”4.22.0″ _module_preset=”default” enable_caption_text=”on” image_caption_font=”Domine||||||||” image_caption_color=”#000000″ image_caption_size=”11px” image_caption_lineheight=”1em” image_caption_alignment=”right” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/08\/pepe_habichuela.jpg” alt=”Pepe Habichuela, ambassador of Flamenco On Fire ” title_text=”pepe_habichuela” _builder_version=”4.22.0″ _module_preset=”default” enable_caption_text=”on” image_caption_font=”Domine||||||||” image_caption_color=”#000000″ image_caption_size=”11px” image_caption_lineheight=”1em” image_caption_alignment=”right” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.0″ _module_preset=”default” header_2_font=”Domine||||||||” header_3_font=”Domine|||on|||||” header_3_text_color=”#000000″ header_4_font=”Domine||||||||” header_4_text_color=”#FFFFFF” header_4_line_height=”1.4em” header_4_font_size_tablet=”16px” header_4_font_size_phone=”15px” header_4_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n Pepe Habichuela (Granada, 1944), is the other emblematic guitarist of Flamenco On Fire besides Sabicas. He has been the festival’s ambassador since 2017. Pepe has been an active participant in a golden age of flamenco. He accompanied Enrique Morente on such emblematic albums as Homenaje a Antonio Chac\u00f3n<\/em> and Despegando<\/em>, even appearing on the cover of both. Gold Medal for Merit in the Fine Arts, he took the sounds of Granada to Madrid, where he lives, in the hands of his brother Juan Habichuela. He has also recorded alone for the Nuevos Medios label. He was a cornerstone for the emergence of Ketama, the group of his son, Josemi Carmona, and his nephews. <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.22.0″ _module_preset=”default” background_color=”#C12A21″ module_alignment=”center” custom_margin=”|0px||0px|false|false” custom_padding=”20px|20px|20px|20px|false|false” border_radii=”on|1px|1px|1px|1px” border_width_all=”1px” border_color_all=”#000000″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||30px||false|false” custom_padding_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.0″ _module_preset=”ae1401da-9054-42ee-b25c-4c836a9d04f9″ text_font=”Domine||||||||” text_text_color=”#FFFFFF” text_font_size=”26px” header_2_font=”Domine||||||||” header_3_font=”Domine|||on|||||” header_3_text_color=”#000000″ header_4_font=”Domine||||||||” header_4_text_color=”#FFFFFF” header_4_font_size=”18px” header_4_letter_spacing=”0px” background_layout=”dark” custom_margin=”||10px||false|false” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n There was a performance in March by Miguel Poveda to coincide with the exact birthday of the festival.<\/em><\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.22.0″ _module_preset=”be2a99a1-3c28-4960-8649-9e973f447aca” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine||||||||” header_3_font=”Domine|||on|||||” header_3_text_color=”#000000″ header_4_font=”Domine||||||||” header_4_text_color=”#FFFFFF” header_4_line_height=”1.4em” header_4_font_size_tablet=”16px” header_4_font_size_phone=”15px” header_4_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n Lo jondo in a modern way with Cl\u00e1sico Personal.<\/em> <\/span><\/p>\n Gaztambide Theatre (Tudela). 21 30<\/em><\/span><\/p>\n The dancer from Seville opens with intimacy in this project,<\/span> Baja\u00f1\u00ed, in which he is accompanied by the youngest of the saga, his son Juan el Moreno.<\/span><\/em><\/p>\n Teatro Baluarte (Pamplona\/Iru\u00f1a). 21.30<\/em><\/span><\/p>\n It is the 50th anniversary of the death of Manolo Caracol, one of the most important flamenco artists. Zambras and fandangos, seguirillas, buler\u00edas, soleares and other twists and forms created by Caracol now revisited. <\/span> 24 August. Tomatito. With Guadiana and Duquende The eternal accompanist of Camar\u00f3n de la Isla comes to Pamplona with the cantaores Guadiana and Duquende. <\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.22.0″ _module_preset=”be2a99a1-3c28-4960-8649-9e973f447aca” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine||||||||” header_3_font=”Domine|||on|||||” header_3_text_color=”#000000″ header_4_font=”Domine||||||||” header_4_text_color=”#FFFFFF” header_4_line_height=”1.4em” header_4_font_size_tablet=”16px” header_4_font_size_phone=”15px” header_4_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n 25 August. Eva Yerbabuena Re-fraction (from my eyes) is a bet in which the talented choreographer Juan Kruz joins in from the prism of the performative and contemporary. <\/span><\/p>\n 26 August. Alzapua with, among others, Alejandro Hurtado, David de Arahal, Jos\u00e9 del Tomate and V\u00edctor Franco. Under the artistic direction of Rycardo Moreno, a musician from Lebrija with a strong personality, the guitar boasts young age. “Alzapua” has only one protagonist: the instrument.<\/span><\/p>\n Closing of Flamenco On Fire. 27 August. Estrella Morente Medal of Andalusia, Ondas Award and Latin Grammy nominee, muse of Pedro Almod\u00f3var and Carlos Saura. Estrella presents Desde la Cuna<\/em>, a show created by her and Montoyita.<\/span><\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||30px||false|false” custom_padding_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.0″ _module_preset=”ae1401da-9054-42ee-b25c-4c836a9d04f9″ text_font=”Domine||||||||” text_text_color=”#FFFFFF” text_font_size=”26px” header_2_font=”Domine||||||||” header_3_font=”Domine|||on|||||” header_3_text_color=”#000000″ header_4_font=”Domine||||||||” header_4_text_color=”#FFFFFF” header_4_font_size=”18px” header_4_letter_spacing=”0px” background_layout=”dark” custom_margin=”||10px||false|false” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.22.0″ _module_preset=”be2a99a1-3c28-4960-8649-9e973f447aca” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine||||||||” header_3_font=”Domine|||on|||||” header_3_text_color=”#000000″ header_4_font=”Domine||||||||” header_4_text_color=”#FFFFFF” header_4_line_height=”1.4em” header_4_font_size_tablet=”16px” header_4_font_size_phone=”15px” header_4_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n 23 August. Sole\u00e1 Morente. The artist presents her latest album, Aurora y Enrique, dedicated to her parents. <\/span><\/p>\n 25 August. La Plazuela Electronic, flamenco, rock and youth. On these pillars, from Granada, La Plazuela has built a project that has attracted the attention of locals and foreigners alike, a new musical line.<\/span><\/p>\n <\/em><\/span><\/p>\n Tomasito’s style is casual and radically his own, and he has spent a lifetime on stage.<\/a><\/span> He comes to Pamplona with his latest solo album: Agustisim\u00edsimo, a song to music in flip-flops. <\/span><\/span><\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/08\/flamenco-on-fire-2023-1.jpg” alt=”August festivals. Flamenco On Fire.” title_text=”flamenco-on-fire-2023″ _builder_version=”4.22.0″ _module_preset=”default” hover_enabled=”0″ image_caption_font=”Domine||||||||” image_caption_color=”#FFFFFF” image_caption_size=”11px” image_caption_lineheight=”1em” image_caption_alignment=”right” global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/08\/On-Fire.jpg” alt=”Scenario Programme s. XXI” title_text=”On Fire” _builder_version=”4.22.0″ _module_preset=”default” image_caption_font=”Domine||||||||” image_caption_color=”#FFFFFF” image_caption_size=”11px” image_caption_lineheight=”1em” image_caption_alignment=”right” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/bMDR0kO4cAU” _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.22.0″ _module_preset=”default” background_color=”#FFFFFF” module_alignment=”center” custom_margin=”|0px||0px|false|false” custom_padding=”20px|20px|20px|20px|false|false” border_radii=”on|1px|1px|1px|1px” border_width_all=”1px” border_color_all=”#000000″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.20.0″ _module_preset=”default” custom_padding_tablet=”||30px||false|false” custom_padding_phone=”||30px||false|false” custom_padding_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.0″ _module_preset=”ae1401da-9054-42ee-b25c-4c836a9d04f9″ text_font=”Domine||||||||” text_text_color=”#FFFFFF” text_font_size=”26px” header_2_font=”Domine||||||||” header_3_font=”Domine|||on|||||” header_3_text_color=”#000000″ header_4_font=”Domine||||||||” header_4_text_color=”#FFFFFF” header_4_font_size=”18px” header_4_letter_spacing=”0px” background_layout=”dark” custom_margin=”||10px||false|false” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.22.0″ _module_preset=”be2a99a1-3c28-4960-8649-9e973f447aca” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine||||||||” header_3_font=”Domine|||on|||||” header_3_text_color=”#000000″ header_4_font=”Domine||||||||” header_4_text_color=”#FFFFFF” header_4_line_height=”1.4em” header_4_font_size_tablet=”16px” header_4_font_size_phone=”15px” header_4_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n Garden of the Palace of Navarre (Pamplona\/Iru\u00f1a). 21.30<\/em><\/p>\n Manolo Franco is one of the most intimate and critically acclaimed guitarists in contemporary sonata.<\/p>\n Hotel Tres Reyes (Pamplona\/Iru\u00f1a). 23.30<\/em><\/p>\n Extremadura is set to cante and toque in a night of tablao. It does so, moreover, through a party full of intimacy that features some of its most important references.<\/p>\n Hotel Tres Reyes (Pamplona\/Iru\u00f1a). 23.30<\/em><\/p>\n Iv\u00e1n Vargas was born in Sacromonte, Granada, where he took his first steps with his family: the Maya. Nazaret was born into a family of great ancestry, the daughter of two dancers: Crist\u00f3bal Reyes and Juana Amaya. More details about this performance. <\/a><\/p>\n Hotel Tres Reyes (Pamplona\/Iru\u00f1a). 23.30<\/em><\/p>\n She will present her show Tiempos<\/em>,<\/strong> accompanied on vocals by Perrete and Rafita de Madrid, and the guitars of Carlos and Juan Jim\u00e9nez.<\/p>\n Hotel Tres Reyes (Pamplona\/Iru\u00f1a). 23.30<\/em><\/p>\n Cancanilla de M\u00e1laga sings and dances. It has been doing so for sixty years. Also performing is the Yey\u00e9 de C\u00e1diz, so called because they belonged to the carnival group Los Beatles de The third in discord, Enrique Pantoja, from Jerez, has proclaimed himself the alma mater of every fin de fiesta consummate naturality. Rafael Rodr\u00edguez El Cabeza, from Seville, is one of the most expressive tocaores, a “classic of the counterculture”.<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.22.0″ _module_preset=”ae1401da-9054-42ee-b25c-4c836a9d04f9″ text_font=”Domine||||||||” text_text_color=”#FFFFFF” text_font_size=”26px” header_2_font=”Domine||||||||” header_3_font=”Domine|||on|||||” header_3_text_color=”#000000″ header_4_font=”Domine||||||||” header_4_text_color=”#FFFFFF” header_4_font_size=”18px” header_4_letter_spacing=”0px” background_color=”#C12A21″ background_layout=”dark” module_alignment=”left” custom_margin=”||10px||false|false” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n How to travel and where to stay with discounts. <\/a><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\nFlamenco in Navarra?<\/span><\/h2>\n
What kind of flamenco is concentrated in On Fire?<\/h2>\n
A programme that is “several” programmes <\/h2>\n
Flamenco On Fire takes to the streets in 2016<\/h2>\n
The ambassador: Pepe Habichuela<\/h2>\n
Program 2023. Great Concerts Section<\/span><\/h3>\n
Official opening. 18 August. David Lagos<\/span>
Ruinas de San Pedro (Viana). 21.00<\/em><\/span><\/h4>\n<\/h2>\n
19 August. Farruquito and Juan El Moreno<\/span><\/span><\/h4>\n
23 August. Tribute at Caracol <\/span><\/span><\/h4>\n
Vicente Soto Sordera, La Tremendita, Antonio Reyes, Orquesta Sinf\u00f3nica de Navarra<\/span><\/h4>\n
<\/em><\/span><\/p>\n
<\/span><\/span>Baluarte (Pamplona\/Iru\u00f1a). 21.30<\/span><\/em><\/p>\n
<\/span>Baluarte (Pamplona\/Iru\u00f1a). 21.30<\/em><\/p>\n
<\/span>Baluarte (Pamplona\/Iru\u00f1a). 21.30<\/em><\/p>\n
<\/span>Baluarte (Pamplona\/Iru\u00f1a). 21.30<\/em><\/p>\nProgram 2023. Great concerts section in the Stage s. XXI<\/span><\/h3>\n
<\/span><\/span>Teatro Zentral (Pamplona\/Iru\u00f1a). 20.00<\/em><\/span><\/p>\n
<\/span><\/span>Teatro Zentral (Pamplona\/Iru\u00f1a). 20.00<\/em><\/p>\n <\/span>25 August. Tomasito<\/span><\/span><\/h4>\n
Teatro Zentral (Pamplona\/Iru\u00f1a). 20.00<\/em><\/span><\/h4>\n
Program 2023. Section NIGHT SESSION<\/span><\/h3>\n
22 August. Manolo Franco<\/span><\/span><\/h4>\n
24 August. Miguel Vargas, Juan Vargas, La Ka\u00edta and Guadiana<\/span><\/span><\/h4>\n
25 August. Iv\u00e1n Vargas and Nazaret Reyes<\/span><\/h4>\n
26 August. Bel\u00e9n L\u00f3pez<\/span><\/h4>\n
27 August. Cancanilla de M\u00e1laga and more<\/span><\/h4>\n
<\/span><\/h3>\n
RELEVANT ADDRESSES<\/span><\/h3>\n