[et_pb_section fb_built=”1″ admin_label=”Social Sharing Buttons ” _builder_version=”4.21.0″ custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|10px|0px|false|true” global_colors_info=”{}”][et_pb_row _builder_version=”4.21.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”1280px” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][dssb_sharing_buttons icon_placement=”icon” columns=”6″ icon_width=”fixed” alignment=”left” icon_color=”#111111″ use_custom_icon_size=”on” icon_font_size=”16px” icon_bg=”#f4f4f4″ _builder_version=”4.21.0″ _module_preset=”default” border_radii_main=”on|4px|4px|4px|4px” border_radii_icon=”on|4px|4px|4px|4px” border_width_all_icon=”1px” border_color_all_icon=”#f4f4f4″ border_color_all_icon_last_edited=”off|desktop” global_colors_info=”{}” border_color_all_icon__hover_enabled=”on|hover” border_color_all_icon__hover=”#111111″][dssb_sharing_button _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”twitter” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”whatsapp” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”telegram” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”email” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”copy” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][\/dssb_sharing_buttons][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.21.0″ min_height=”187.7px” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ min_height=”100.6px” custom_margin=”-19px|auto||auto||” custom_padding=”|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.21.2″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”25px” text_line_height=”32em” header_2_font=”Domine|700|||||||” header_2_text_color=”#000000″ background_layout=”dark” max_width=”800px” max_width_tablet=”” max_width_phone=”” max_width_last_edited=”on|phone” module_alignment=”center” custom_padding=”|||” global_colors_info=”{}”]<\/p>\n
There are between 50 and 100 flamenco styles (“palos”), although the exact number is still debated. What we do know is that they all have a definite personality… Can we imagine it?<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Images” _builder_version=”4.22.0″ custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.22.0″ custom_margin=”0px|auto|0px|auto|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.21.2″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine|700|||||||” header_2_text_color=”#000000″ background_layout=”dark” global_colors_info=”{}”]<\/p>\n In a great genealogical tree,<\/strong> flamenco branches out into styles which in turn are capillarised into<\/span> s<\/span>ubtypes including localities<\/strong> and areas of origin.<\/span> <\/p>\n And as among the members of a family, each stick has defined its character. Each has its own identity constructed through stories and narratives.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.21.2″ custom_margin=”0px|auto|0px|auto|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.21.2″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine|700|||||||” header_2_text_color=”#000000″ background_layout=”dark” global_colors_info=”{}”]<\/p>\n The buler\u00eda is one of the most joyful flamenco “palos” and at the same time one of the most complicated to perform. Its name could derive from the word buller\u00eda and,<\/em> this, from bulla<\/em>: shouting, bustle… There is no jaleo or flamenco party that does not have a buler\u00eda in its repertoire. Of course, it must be said that the buler\u00eda by sole\u00e1, the sole\u00e1 by buler\u00eda, by fandangos, etc., etc. etc. are not the same. <\/span><\/p>\n However, it seems that most researchers see the origin in mockery, mockery, as in the case of Blas Vega’s opinion. If this were the case, it would be <\/span>“the place of mockery”, a place to have fun and celebrate with irony. The ironic and funny lyrics that are sung to this rhythm support this theory. “Little funny songs”, wrote Dem\u00f3filo in 1881.<\/strong><\/span><\/p>\n As the maestro Manolo Sanl\u00facar said in 2015, “at a party in Jerez, a woman breastfeeds her child playing palmas by buler\u00edas and that doesn’t happen in China”.<\/p>\n In this video, the queen of buler\u00edas, La Paquera de Jerez. <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.21.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/yiEVs0aN_ss” image_src=”\/\/i.ytimg.com\/vi\/yiEVs0aN_ss\/hqdefault.jpg” _builder_version=”4.21.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.22.0″ custom_margin=”1%|auto|0px|auto|false|false” custom_padding=”1%||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.21.2″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine|700|||||||” header_2_text_color=”#000000″ background_layout=”dark” custom_margin=”2%||||false|false” custom_padding=”2%||||false|false” global_colors_info=”{}”]<\/p>\n Because of its binary metric, tangos may seem to be the simplest palo, although it has infinite variations. The tientos are one of them. It is also a lively, joyful palo, which can be longer or shorter depending on whether it is from C\u00e1diz, M\u00e1laga, Extremadura…<\/p>\n There is a rhythmic cell of African origin that slaves brought with them to America. This is how the musicologists of Camerata Flamenco Project explain it. This style gradually became integrated with the locals, but such was its sensuality that the Catholic Church tried to ban it. It wasn’t enough. This has given rise to the Uruguayan candombe, the Argentinian tango, the habanera and, once they arrived in Cadiz, the flamenco tango. <\/p>\n \n<\/div>\n<\/div>\n<\/div>\n The queen of tango is La Ni\u00f1a de los Peines. Camar\u00f3n de la Isla takes it all over the world in Como el agua,<\/em> composed by Paco de Luc\u00eda’s brother, Pepe de Luc\u00eda. <\/p>\n [\/et_pb_text][et_pb_video src=”https:\/\/youtu.be\/NIe3CGaDDkA” image_src=”\/\/i.ytimg.com\/vi\/NIe3CGaDDkA\/hqdefault.jpg” play_icon_color=”#FFFFFF” _builder_version=”4.21.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.22.0″ custom_margin=”0px|auto|0px|auto|false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.21.2″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine|700|||||||” header_2_text_color=”#000000″ background_layout=”dark” global_colors_info=”{}”]<\/p>\n Although the word seguiriya could even find its origin in the archaeological site of Sigiriya in Sri Lanka, Antonio Manuel, author of<\/span> Arqueolog\u00eda de lo jondo,<\/em> argues that it comes from Andalusian Arabic, where seguiriya is a “drunkenness”, an ecstasy. But the most widely accepted is that it is an Andalusian way of saying “seguida”, so it is valid to speak of seguirillas, as well as seguidiyas, sigueriyas… depending on the local dialect.<\/span> <\/p>\n This is a sober and plaintive flamenco form. In fact, the quej\u00edo has even more presence than the lyrics. It is therefore the style by “lo jondo”,<\/a> and there are as many variations as there are artists. Vicente Escudero is considered to be the one who shaped it in dance. Pilar L\u00f3pez added the castanets. Before, it was the cante of Antonio Chac\u00f3n, Silverio Franconetti or Tom\u00e1s Pav\u00f3n. <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.22.0″ custom_margin=”0px|auto|0px|auto|true|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.21.2″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine|700|||||||” header_2_text_color=”#000000″ background_layout=”dark” global_colors_info=”{}”]<\/p>\n This style is one of the oldest flamenco styles, so it has a more complex history and has been influenced more than most. Influences ranged from Portuguese fado, Moorish music, and Indian music to Aragonese jota.<\/p>\n The fandango with a very marked personality is that of Huelva, the preservation and promotion of which is the objective of the provincial pe\u00f1as. And then in different styles depending on the locality. In summary, there are 32 styles of fandangos de Huelva distributed in 9 localities.<\/span> <\/p>\n Among its greatest exponents, Paco Isidro and Antonio Rengel.<\/span> Also Sabicas, Marchena and Ni\u00f1o Ricardo. Manolo Caracol, cantaor from Seville,<\/a> “invented” his version, the fandango caracolero.<\/p>\n Much more contemporary is this fandango bythe company “Emilio Ochando y C\u00eda”. The complete show defends the bolero school, folklore and flamenco.<\/span> <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=ULBTYekR0Jg” _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_button button_url=”https:\/\/app.allflamenco.net\/detail\/1102\/en-las-marismas-del-cielo-samuel-serrano-al-cante-por-sevillanas-centro-de-arte-flamenco-de-la-merced” url_new_window=”on” button_text=”Full recital” _builder_version=”4.22.0″ _module_preset=”default” custom_button=”on” button_text_size=”18px” button_text_color=”#FFFFFF” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_margin=”-55px|auto|50px|auto|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.22.0″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine|700|||||||” header_2_text_color=”#000000″ background_layout=”dark” custom_margin=”1%||||false|false” custom_padding=”1%||||false|false” global_colors_info=”{}”]<\/p>\n Some of the most popular festivals in Spain, such as the Feria de Sevilla or the Romer\u00eda del Roc\u00edo, have sevillanas as their soundtrack. And, although it is debated whether it can be considered a flamenco palo or an alien but “aflamencao” style, sevillanas have become, especially outside Spain, the flagship of flamenco.<\/p>\n<\/h2>\n
Buler\u00eda, the mocker<\/h2>\n
Tangos, the African joy<\/h2>\n
The seguiriyas, quej\u00edo<\/em><\/h2>\n
Fandango, the Adam of flamenco styles<\/h2>\n
<\/h2>\n
Sevillana, who doesn’t want to be alone<\/h2>\n