{"id":392233,"date":"2023-08-07T07:00:00","date_gmt":"2023-08-07T07:00:00","guid":{"rendered":"https:\/\/allflamenco.net\/uncategorized-en\/entre-dos-aguas\/"},"modified":"2023-08-21T22:49:04","modified_gmt":"2023-08-21T22:49:04","slug":"50-anniversary-entre-dos-aguas","status":"publish","type":"post","link":"https:\/\/allflamenco.net\/en\/blog\/50-anniversary-entre-dos-aguas\/","title":{"rendered":"Paco de Luc\u00eda’s “Entre dos aguas” celebrates its 50th anniversary"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”Social Sharing Buttons ” _builder_version=”4.21.0″ custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|10px|0px|false|true” global_colors_info=”{}”][et_pb_row _builder_version=”4.21.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”1280px” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][dssb_sharing_buttons icon_placement=”icon” columns=”6″ icon_width=”fixed” alignment=”left” icon_color=”#111111″ use_custom_icon_size=”on” icon_font_size=”16px” icon_bg=”#f4f4f4″ _builder_version=”4.21.0″ _module_preset=”default” border_radii_main=”on|4px|4px|4px|4px” border_radii_icon=”on|4px|4px|4px|4px” border_width_all_icon=”1px” border_color_all_icon=”#f4f4f4″ border_color_all_icon_last_edited=”off|desktop” global_colors_info=”{}” border_color_all_icon__hover_enabled=”on|hover” border_color_all_icon__hover=”#111111″][dssb_sharing_button _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”twitter” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”whatsapp” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”telegram” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”email” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”copy” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][\/dssb_sharing_buttons][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|tablet” admin_label=”Hero” _builder_version=”4.21.2″ background_color=”RGBA(255,255,255,0)” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px|0px|0px|0px|false|false” custom_padding_tablet=”0vw|||” custom_padding_phone=”” global_colors_info=”{}”][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|auto||64px||” custom_padding=”10px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.2″ _module_preset=”default” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”25px” text_line_height=”35em” background_layout=”dark” global_colors_info=”{}”]<\/p>\n

If there is a universal rumba, surely it is Between two waters, published by Paco de Luc\u00eda in 1973 as part of the album Fuente y Caudal and that the genius of Algeciras composed it “de rebote”.<\/em> <\/span><\/p>\n

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When the LP Fuente y caudal was released in 1973, sales were very poor, not even 300 records. But there was one track on it, Entre dos aguas<\/em>, in which his manager, the journalist Jes\u00fas Quintero, had great confidence. His instincts did not fail him.<\/p>\n

Quintero convinced the record company (Philips) to release it separately, as a single. So it came out again in 1974. Its success was unimaginable, even more so for a flamenco song. It spent several weeks in the charts, and became a gold single in ’76 with over 300,000 copies sold. Paco de Luc\u00eda, however, never played it in the same way again. Not only did he cover it with John McLaughlin and re-released it in ’81 with a different “feel”, but he has varied it with each performance.<\/span> <\/p>\n

We recommend you read this post about the Catalan rumba. <\/a><\/p>\n

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The inspiration of Sinatra and Las Grecas<\/h2>\n

This rumba was not included in the album Fuente y caudal. Paco de Luc\u00eda was urgently asked to add something to the LP to fill the remaining empty minutes of the album. He composed it quickly and almost improvised, with a draft he had somewhere.<\/p>\n

Paco tells it like this in the documentary La B\u00fasqueda: “Right there, in the studio, I called a bass and a bongo, totally improvised, for the first time in my career and in flamenco, in the manner of jazz musicians”.<\/span> <\/p>\n

“I feel free playing the rumba, because there is no tradition in rumbas and you can do whatever you want,” he told journalist Rosa Montero.<\/span><\/p>\n

Paco himself confirmed that the song of Las Grecas Te estoy amando locamente,<\/em> by Las Grecas, was an inspiration for his rumba. <\/span>Juan Jos\u00e9 T\u00e9llez, in his book Paco de Luc\u00eda, el hijo de la portuguesa, <\/em>adds that also the rumba version of Fly on the Moon<\/em> by Fran Sinatra played by a friend of the algecire\u00f1o, Jos\u00e9 Luis Mar\u00edn.<\/span> <\/p>\n

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Technically, this is what it looks like<\/h2>\n

Entre dos aguas<\/em> is a theme that is usually in the scores of those who learn flamenco guitar.<\/a> The reason is that the scale “E minor Harmonic (E)” is used, although it is more common in a grana\u00edna than in a rumba.<\/p>\n

An important novelty is that the palmas are replaced by the bongo, something that had not been seen before, and that the electric bass is used, another surprise for the flamenco orthodoxy. But there is more, and it is in its rhythm and tone.<\/p>\n

To explain this better, we look at an article by guitarist Toni Subirana.<\/p>\n

“The piece is recognizable from its first two notes because of the dialogue between the basses and the fifth and sixth strings in the air. This was followed by the bongos, an instrument that from then on would become practically indispensable in rumbas pieces. The second guitar of his brother, Ram\u00f3n de Algeciras, provides a subtle accompaniment. Alternate the A minor seventh chord with the B minor seventh chord. This provides a gentle harmony as a base for Paco de Luc\u00eda’s guitar, which attacks the first notes with force and then enters into a calmer discourse that is not without emotion”. <\/span><\/p>\n

Subirana continued:<\/span><\/p>\n

“The second part of the piece is marked by a voluntarily abrupt change that inaugurates a new chord pattern. Over this, a more joyful melody, with some phrases that the artist executes at breakneck speed”. <\/span><\/p>\n

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In La guitarra en el tiempo,<\/strong> the show by guitarist Santiago Lara, special mention is made of great masters of the flamenco guitar who managed to change this majestic instrument, such as Ramon Montoya, Sabicas, Ni\u00f1o Ricardo, Paco de Luc\u00eda, Manolo Sanl\u00facar, etc.<\/strong><\/span><\/p>\n

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Entre dos aguas is still the best-known rumba, the one that brought Andalusian art to audiences of all kinds and the song that introduced instruments never before seen in flamenco. <\/p>\n","protected":false},"author":1,"featured_media":392217,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-392233","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"yoast_head":"\n50-anniversary-entre dos aguas<\/title>\n<meta name=\"description\" content=\"Entre dos aguas is still the best known rumba in the world and the song that opened flamenco to new instruments\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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