{"id":387756,"date":"2023-07-22T02:41:10","date_gmt":"2023-07-22T02:41:10","guid":{"rendered":"http:\/\/new.allflamenco.net\/french-like-flamenco\/"},"modified":"2023-08-09T03:25:21","modified_gmt":"2023-08-09T03:25:21","slug":"french-like-flamenco","status":"publish","type":"post","link":"https:\/\/allflamenco.net\/en\/blog\/french-like-flamenco\/","title":{"rendered":"Why do the French like flamenco so much?"},"content":{"rendered":"

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The line-up for FlamencA 2023, to be held in Arles (France), has just been announced. A perfect excuse to investigate the important presence of this art “Spain brand” in France.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” _builder_version=”4.21.0″ _dynamic_attributes=”src” _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”||2%||false|false” custom_padding=”0px||2%||false|false” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/07\/Epoque_Romaine_Arles.jpg” alt=”Flamenco in Arles” title_text=”Epoque_Romaine_Arles” _builder_version=”4.21.0″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/06\/Flamenca.jpeg” _builder_version=”4.21.0″ _module_preset=”default” alt=”Festival of Arles” title_text=”Flamenca” hover_enabled=”0″ sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/06\/arles.jpeg” alt=”Why the French like flamenco” title_text=”arles” force_fullwidth=”on” _builder_version=”4.21.0″ _module_preset=”default” hover_enabled=”0″ border_width_all=”2px” border_color_all=”#FC9569″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”About” _builder_version=”4.21.0″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{%22gcid-662be9b1-5a80-4bc7-adc2-f498d06fbe85%22:%91%93,%22gcid-abdd1dfe-115d-40b5-9c1d-c1c9635de504%22:%91%93,%22gcid-9452e02f-d11f-42fc-a9f8-16803f93b5d0%22:%91%93,%22gcid-3f47e762-ddb9-4bcc-9a88-eb1cda6175db%22:%91%93}”][et_pb_row make_equal=”on” _builder_version=”4.21.0″ _module_preset=”default” max_width=”none” module_alignment=”center” custom_margin=”|0px||0px|false|false” custom_padding=”0px|0px||0px|false|false” link_option_url_new_window=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_text_color=”#000000″ header_2_font=”Domine|700|||||||” header_2_text_color=”#000000″ background_layout=”dark” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” text_font_size_tablet=”15px” text_font_size_phone=”14px” text_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

On why the French like flamenco<\/span><\/h2>\n

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In January 1992, Camar\u00f3n de La Isla gave an emotional concert in Nimes, in the south of France, months before his death. The audience was surrendered at the feet of, surely, the most important flamenco singer in history. It was not the first time that the artist performed in France, of whose public he commented: “The French public has a very nice and great respect”.<\/strong><\/span><\/p>\n

The passion that flamenco provokes in the French is not new. It almost certainly began when Spanish Roma communities migrated to France in the late 19th century, bringing with them their rich cultural heritage, including flamenco. The exoticism and passionate nature of his music and dance captivated French artists, intellectuals and the general public. <\/span><\/p>\n

This hobby took shape at the Universal Exposition in Paris.<\/strong> Explains researcher Sandra Alvarez Molina, from the University of Paris III: “The Paris Exposition of 1889 was the first event in which large Spanish parties were organized”. The French capital was the center of the world at that time in terms of culture, so there were many flamenco artists performing in its caf\u00e9s and theaters. Mar\u00eda Albaic\u00edn, Lolita Benavente, Raquel Meller…<\/strong> a lot of flamenco women in those early days. <\/strong><\/span><\/span><\/a><\/p>\n

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FlamencA: women’s flamenco<\/span>
<\/strong><\/h2>\n

The admiration of the French for Andalusian dance and song has extended to the present day, demonstrating that language does not matter if the feeling unites us. French flamenco festivals are among the most relevant in the world after, logically, the Spanish ones. In this article you can read a summary of the main meetings held outside our borders. But FlamencA is special<\/em> and we have been following it since its beginnings, 6 editions ago.<\/p>\n

First, because it arose from flamenco lovers<\/strong> who, voluntarily and with money from their own pockets, wanted to support all that this music means. As they themselves point out: “This erudite music, born from the meeting of European, Gypsy, Arab and Jewish peoples, is synonymous with inclusion, sharing and generosity. Forged in joy and evolving in pain, it explodes in cathartic anger and tells stories of life, of our lives.”<\/p>\n

Secondly,<\/strong> and from the point of view of FlamencA that we share, flamenco does not belong to us: it belongs to us, to the people of the world… FlamencA is the way to respect “pure” flamenco, combining tradition, contemporaneity, youth and dynamics of the flamenco genre.<\/p>\n

And, third,<\/strong> but not least, because its program is very attractive. It includes artists who are making a name for themselves in flamenco from both France and Spain, and female flamenco artists take center stage.<\/p>\n

Do not hesitate to make a hole in your agenda to know this flamenco festival in the beautiful town of Arles.<\/strong> The venues where you can enjoy the performances are not just any: the Roman theater, the courtyard of the archdiocese, the museum of Arles Antique, the Arlaten museum, the R\u00e9attu museum, the gardens of Moulin en Fontvielle, M\u00e9janes in Camargue, art galleries, private venues of the most prestigious…<\/span><\/a><\/p>\n

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