[et_pb_section fb_built=”1″ admin_label=”Social Sharing Buttons ” _builder_version=”4.21.0″ custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|10px|0px|false|true” global_colors_info=”{}”][et_pb_row _builder_version=”4.21.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” max_width=”1280px” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][dssb_sharing_buttons icon_placement=”icon” columns=”6″ icon_width=”fixed” alignment=”left” icon_color=”#111111″ use_custom_icon_size=”on” icon_font_size=”16px” icon_bg=”#f4f4f4″ _builder_version=”4.21.0″ _module_preset=”default” border_radii_main=”on|4px|4px|4px|4px” border_radii_icon=”on|4px|4px|4px|4px” border_width_all_icon=”1px” border_color_all_icon=”#f4f4f4″ border_color_all_icon_last_edited=”off|desktop” global_colors_info=”{}” border_color_all_icon__hover_enabled=”on|hover” border_color_all_icon__hover=”#111111″][dssb_sharing_button _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”twitter” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”whatsapp” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”telegram” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”email” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][dssb_sharing_button social_network=”copy” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/dssb_sharing_button][\/dssb_sharing_buttons][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”About” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”2%||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”f0cf31b9-b2e7-4752-a57c-6e2f73347b36″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”25px” text_line_height=”35em” background_layout=”dark” text_font_size_tablet=”15px” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” header_font_size_tablet=”55px” header_font_size_last_edited=”off|desktop” global_colors_info=”{}”]<\/p>\n
The C\u00e1tedra de Flamencolog\u00eda y Estudios Folcl\u00f3ricos Andaluces de Jerez and the Pe\u00f1a Los Cern\u00edcalos met on 29 June to celebrate a special birthday: the 50th anniversary of one of the most relevant flamenco albums: Nueva Frontera del Cante de Jerez<\/em>.<\/p>\n [\/et_pb_text][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” _builder_version=”4.22.1″ _dynamic_attributes=”src” _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.21.0″ _module_preset=”f0cf31b9-b2e7-4752-a57c-6e2f73347b36″ text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” background_layout=”dark” text_font_size_tablet=”15px” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” header_font_size_tablet=”55px” header_font_size_last_edited=”off|desktop” global_colors_info=”{}”]<\/p>\n This album is a double LP recorded in 1972 but released by RCA in ’73. In the first part of Nueva Frontera del Cante<\/em>, called Recital de cante gitano,<\/em> the soleares of Rubichi, the seguiriyas of Manuel Moneo and Mateo Sole\u00e1 and the tangos of Juan Moneo El Torta stand out. In the second, the Fiesta de la Plazuela,<\/em> T\u00edo Gregorio El Borrico, godfather of this album, sings some old buler\u00edas from Jerez (Anda y dale, dale<\/em>). <\/p>\n Both the pe\u00f1a and the chair (directed by one of the founders, Juan de la Plata) were promoters and organisers of such a collection of talent from the 1940s and 1950s.<\/strong> The direction was carried out by poet Antonio Murciano from Arcos. Mora\u00edto Chico, Parrilla de Jerez, Ni\u00f1o Jero and Rafael Alarc\u00f3n are also among the artists on the album, but there are more… For example, the voice of Manuel Malena can be heard at the age of 12 thanks to the insistence of the flamencologist Alfredo Ben\u00edtez, known to be a defender of the Jerez guitar school. <\/span><\/p>\n Nueva Frontera del Cante<\/em> de Jerez<\/em> is worth having in your sound archive. <\/span><\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/allflamenco.net\/wp-content\/uploads\/2023\/07\/nueva-frontera.jpg” alt=”Nueva-Frontera-Cante-Jerez” title_text=”nueva-frontera” _builder_version=”4.21.0″ _module_preset=”default” enable_caption_text=”on” image_caption_font=”Domine||||||||” image_caption_color=”#000000″ image_caption_size=”11px” image_caption_lineheight=”1em” image_caption_alignment=”right” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.21.0″ _module_preset=”default” background_color=”#D6D6D6″ width=”auto” max_width=”none” module_alignment=”center” custom_margin=”0px|15px|0px|15px|false|false” custom_padding=”2%|15px|2%|15px|false|false” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.21.0″ _module_preset=”default” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/hvVLmyUVa_Q” image_src=”\/\/i.ytimg.com\/vi\/hvVLmyUVa_Q\/hqdefault.jpg” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”10px||10px||false|false” custom_padding=”0px||1px||false|false” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Domine||||||||” text_text_color=”#000000″ text_font_size=”20px” text_line_height=”32em” header_2_font=”Domine|700|||||||” header_2_text_color=”#000000″ custom_margin=”15px||||false|false” custom_padding=”15px|31px|||false|false” global_colors_info=”{}”]<\/p>\n Experience this pure flamenco recital by Jes\u00fas Castilla<\/strong> accompanied by the guitar of Adriano Lozano and the comp\u00e1s of Naim Real and Luis Monge Pijote in ALL FLAMENCO. <\/span><\/p>\n [\/et_pb_text][et_pb_button button_url=”https:\/\/app.allflamenco.net\/detail\/1476\/jesus-castilla-ii-bienal-de-flamenco-cadiz-jerez-y-los-puertos-castillo-de-san-romualdo-san-fernando” url_new_window=”on” button_text=”Singing by Jes\u00fas Castilla” _builder_version=”4.21.0″ _module_preset=”default” custom_button=”on” button_text_size=”16px” button_text_color=”#FFFFFF” button_bg_color=”#C12A21″ global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Nueva Frontera del Cante de Jerez is an emblematic compendium of pure flamenco by great artists of the 40s and 50s. Essential!<\/p>\n","protected":false},"author":1,"featured_media":386713,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[144],"tags":[],"class_list":["post-386730","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books-and-records"],"yoast_head":"\nCante de Jerez, C\u00e1diz y los Puertos (Sherry, C\u00e1diz and the Ports)<\/h2>\n